diff --git a/_quarto.yml b/_quarto.yml index 47bf7dcc..422f6815 100644 --- a/_quarto.yml +++ b/_quarto.yml @@ -5,7 +5,7 @@ project: book: title: "ScholarLed catalogue" author: "Simon Bowie" - date: "2024-10-08" + date: "2024-10-09" chapters: - index.qmd - all_press.nbconvert.ipynb diff --git a/_quarto.yml.bak b/_quarto.yml.bak index 4c91e285..47bf7dcc 100644 --- a/_quarto.yml.bak +++ b/_quarto.yml.bak @@ -5,7 +5,7 @@ project: book: title: "ScholarLed catalogue" author: "Simon Bowie" - date: "2024-10-07" + date: "2024-10-08" chapters: - index.qmd - all_press.nbconvert.ipynb diff --git a/african_press.nbconvert.ipynb b/african_press.nbconvert.ipynb index 0f40fe17..58fc2575 100644 --- a/african_press.nbconvert.ipynb +++ b/african_press.nbconvert.ipynb @@ -32,7 +32,7 @@ "name": "stdout", "output_type": "stream", "text": [ - "Last updated: 2024-10-08 00:00:18\n" + "Last updated: 2024-10-09 00:00:11\n" ] } ], diff --git a/all_press.nbconvert.ipynb b/all_press.nbconvert.ipynb index a2ec0014..8a2ffb14 100644 --- a/all_press.nbconvert.ipynb +++ b/all_press.nbconvert.ipynb @@ -32,7 +32,7 @@ "name": "stdout", "output_type": "stream", "text": [ - "Last updated: 2024-10-08 00:00:27\n" + "Last updated: 2024-10-09 00:00:18\n" ] } ], @@ -59,6 +59,23 @@ "text": [ "## October 2024\n", "\n", + "### Nouvelles études sur les lieux de spectacle de la première modernité\n", + "\n", + "\n", + "\n", + "Editor: Jeffrey M. Leichman\n", + "\n", + "Editor: Pauline Beaucé\n", + "\n", + "Cambridge, UK: Open Book Publishers, 2024\n", + "\n", + "[https://doi.org/10.11647/OBP.0400](https://doi.org/10.11647/OBP.0400)\n", + "\n", + "Les théâtres du passé : des théâtres virtuels ? C’est une des questions passionnantes explorée dans ce livre par des chercheurs et chercheuses en littérature, musicologie, histoire, études théâtrales, histoire de l’art, architecture et sciences du numérique. Ces Nouvelles études sur les lieux de spectacle de la première modernité proposent de relever un défi épistémologique autour de la notion de virtuel pour la recherche en histoire du théâtre en engageant différents formats de réflexion : entretiens, articles multimédia, brèves de méthodologie, exposition virtuelle.\n", + "\n", + "\n", + "\n", + "\n", "### 100 Chinese Silences\n", "\n", "\n", @@ -1998,27 +2015,6 @@ "\n", "\n", "\n", - "\n", - "### Boundary Images\n", - "\n", - "\n", - "\n", - "Author: Giselle Beiguelman\n", - "\n", - "Author: Melody Devries\n", - "\n", - "Author: Winnie Soon\n", - "\n", - "Author: Magdalena Tyżlik-Carver\n", - "\n", - "Lüneburg: meson press, 2023\n", - "\n", - "[https://doi.org/10.14619/0597](https://doi.org/10.14619/0597)\n", - "\n", - "How are images made, and how should we understand the capacities of digital images? This book investigates images as well as the technologies that host them. Its three chapters discuss the boundaries that images cross and blur between humans, machines, and nature and the ways in which images are political, material, and visual. Exploring these boundaries of images, this book places itself at the limits of the visual and beyond what can be seen, understanding these as starting points for the production of new and radically different ways of knowing about the world and its becomings.\n", - "\n", - "\n", - "\n", "\n" ] } diff --git a/docs/ScholarLed-catalogue.pdf b/docs/ScholarLed-catalogue.pdf index 6da84714..62914fcf 100644 Binary files a/docs/ScholarLed-catalogue.pdf and b/docs/ScholarLed-catalogue.pdf differ diff --git a/docs/african_press.nbconvert.html b/docs/african_press.nbconvert.html index d691ca07..d31f2b92 100644 --- a/docs/african_press.nbconvert.html +++ b/docs/african_press.nbconvert.html @@ -501,7 +501,7 @@
Metadata is licensed as Creative Commons Zero (CC0) and is retrieved from Thoth’s open APIs.
-Last updated: 2024-10-08 00:00:18
+Last updated: 2024-10-09 00:00:11
This page shows the latest publications (in descending order of publication date) from all of the open access publishers in the ScholarLed consortium (Mattering Press, meson press, Open Book Publishers, punctum books, African Minds, and mediastudies.press).
Metadata is licensed as Creative Commons Zero (CC0) and is retrieved from Thoth’s open APIs.
-Last updated: 2024-10-08 00:00:27
+Last updated: 2024-10-09 00:00:18
Editor: Jeffrey M. Leichman
+Editor: Pauline Beaucé
+Cambridge, UK: Open Book Publishers, 2024
+https://doi.org/10.11647/OBP.0400
+Les théâtres du passé : des théâtres virtuels ? C’est une des questions passionnantes explorée dans ce livre par des chercheurs et chercheuses en littérature, musicologie, histoire, études théâtrales, histoire de l’art, architecture et sciences du numérique. Ces Nouvelles études sur les lieux de spectacle de la première modernité proposent de relever un défi épistémologique autour de la notion de virtuel pour la recherche en histoire du théâtre en engageant différents formats de réflexion : entretiens, articles multimédia, brèves de méthodologie, exposition virtuelle.
+Transparent Minds explores the intersection between neuroscience and science fiction stories. Paul Matthews expertly analyses the narratives of humans and nonhumans from Mary Shelley to Kazuo Ishiguro across 200 years of the genre. In doing so he gives lucid insight into the meaning of existence and self-awareness. Rigorously researched and highly accessible, Matthews argues that psycho-emotional science fiction writers both imitate and inform alien and post-human consciousnesses through exploratory narratives and metaphor.
-Author: Giselle Beiguelman
-Author: Melody Devries
-Author: Winnie Soon
-Author: Magdalena Tyżlik-Carver
-Lüneburg: meson press, 2023
- -How are images made, and how should we understand the capacities of digital images? This book investigates images as well as the technologies that host them. Its three chapters discuss the boundaries that images cross and blur between humans, machines, and nature and the ways in which images are political, material, and visual. Exploring these boundaries of images, this book places itself at the limits of the visual and beyond what can be seen, understanding these as starting points for the production of new and radically different ways of knowing about the world and its becomings.