Waveforms

Synthesis Models

Classic Analog Waveforms

#	Model	Description	Timbre	Color
0	CSAW	CS-80 imperfect saw	Notch width	Notch polarity
1	/\/|-_-_	Variable waveshape	Waveshape	Distortion/filter
2	/|/|-_-_	Classic saw-tooth/square	Pulse width	Saw to square
3	FOLD	Sine/triangle into wavefolder	Wavefolder amount	Sine to triangle

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Digital Synthesis

#	Model	Description	Timbre	Color
4	_|_|_|_	2 detuned harmonic combs	Smoothness	Detune
5	SUB-_
6	SUB/_
7	SYN-_	2 VCOs with hardsync	VCO frequency ratio	VCO balance
8	SYN/|	2 VCOs with hardsync	VCO frequency ratio	VCO balance
9	/|/| x3	Triple saw waves	Osc. 2 detune	Osc. 3 detune
10	-_ x3	Triple square waves	Osc. 2 detune	Osc. 3 detune
11	/\ x3	Triple triangle waves	Osc. 2 detune	Osc. 3 detune
12	SI x3	Triple sine waves	Osc. 2 detune	Osc. 3 detune
13	RING	3 ring-modulated sine waves	2/1 frequency ratio	3/1 frequency ratio
14	/|/|/|/|	Swarm of 7 sawtooth waves	Detune	High-pass filter
15	/|/|_|_|	Comb filtered sawtooth	Delay time	Neg./pos. feedback
16	TOY*	Low-fi circuitbent sounds	Sample reduction	Bit toggling
17	ZLPF	Direct synthesis of LP waveform	Cutoff frequency	Waveshape
18	ZPKF	Direct synthesis of Peaking waveform	Cutoff frequency	Waveshape
19	ZBPF	Direct synthesis of BP waveform	Cutoff frequency	Waveshape
20	ZHPF	Direct synthesis of HP waveform	Cutoff frequency	Waveshape
21	VOSM	Sawtooth with 2 formants	Formant 1 frequency	Formant 2 frequency

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Vocal Synthesis

#	Model	Description	Timbre	Color
22	VOWL	Vowel synthesis (a, e, i, o, u)	Vowel shape	Gender
23	VFOF	Hi-fi vowel synthesis	Air pressure	Instrument shape

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Additive Synthesis

#	Model	Description	Timbre	Color
24	HARM	Additive synth, 14 harmonics	Harmonic #	Spectral peakedness

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Frequency Modulation (FM)

#	Model	Description	Timbre	Color
25	FM	Plain 2-operator FM	Modulation index	Frequency ratio
26	FBFM	Feedback 2-operator FM	Modulation index	Frequency ratio
27	WTFM	Chaotic 2-operator FM	Modulation index	Frequency ratio

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Physical Simulations

#	Model	Description	Timbre	Color
28	PLUK	Plucked strings	Decay	Plucking position
29	BOWD	Bowed string	Friction	Bowing position
30	BLOW	Reed simulation	Air pressure	Instrument geometry
31	FLUT	Flute simulation	Air pressure	Instrument geometry

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Percussions

#	Model	Description	Timbre	Color
32	BELL	Bell sound	Decay	Harmonicity
33	DRUM	Metallic drum sound	Decay	Harmonicity
34	KICK	808 bass drum	Decay	Brightness
35	CYMB	Cymbal noise	Cutoff	Noisiness
36	SNAR	808 snare drum	Tone	Noisiness/decay

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Wavetables

#	Model	Description	Timbre	Color
37	WTBL	21 wavetables	Smooth wavetable position	Quantized selection
38	WMAP	16x16 waves	X position	Y position
39	WLIN	Linear wavetable scanning	Wavetable position	Interpolation quality
40	WTx4	Polyphonic wavetable	Wavetable position	Chord type

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Noise

#	Model	Description	Timbre	Color
41	NOIS	Tuned noise (2-pole filter)	Filter resonance	Response (LP to HP)
42	TWNQ	Noise sent to 2 resonators	Resonance	Resonators freq. ratio
43	CLKN	Clocked digital noise	Cycle length	Quantization
44	CLOU	Sinusoidal granular synthesis	Grain density	Frequency dispersion
45	PRTC	Droplets granular synthesis	Grain density	Frequency dispersion
46	QPSK	Modem noises	Bit-rate	Modulated data

EASTER EGG

#	Model	Description	Timbre	Color
47	****

Braids Renaissance Chords (https://burns.ca/eurorack.html)

#	Model	Description	Timbre	Color
48	//CH
49	-_CH
50	/\\CH
51	SICH
52	WTCH
53	//x6
54	-_x6
55	/\\x6
56	SIx6
57	WTx6