diff --git a/docs/lac/index.html b/docs/lac/index.html index 5ae3c3a..94349c1 100644 --- a/docs/lac/index.html +++ b/docs/lac/index.html @@ -250,14 +250,116 @@

Linux Audio Conference 2025

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Soon...

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LAC is the international conference about Free/Open-Source Software for music, sound, and other media with GNU/Linux as the main platform. In 2025, it will be held at INSA Lyon (France) under the hospices of Inria, GRAME-CNCM, INSA Lyon, and AFIM on June 26-28.

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Important Dates

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TODO

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Call for Papers / Posters / Workshops

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LAC 2025 invites submissions of papers, posters, demos and workshops addressing all areas of audio processing based on Linux and open source software.

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All submissions and presentations are in English.

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Submissions can focus on technical, artistic, and/or scientific issues and can target developers and/or users.

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This includes (but is not limited to) the following categories:

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Full Papers

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Full papers must be written and presented in English. The length of papers is 4 to 8 pages, with up to 5 keywords, including an abstract of up to 200 words. Accepted papers will be available on the conference website during and after the conference and will be published in the conference proceedings with an ISBN.

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All papers are peer reviewed by a committee of experts from different disciplines. Reviewers may suggest improvements to the author(s), or require changes in order to accept the submission.

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The duration of the presentation is 25 minute followed by a 5 minute discussion.

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Poster Papers

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Poster papers must be written in English, should be 2-4 pages, with up to 5 keywords, including an abstract of up to 150 words. Accepted poster papers will be available on the conference website during and after the conference and will be published in the conference proceedings with an ISBN.

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All posters are peer reviewed by a committee of experts in different disciplines. Reviewers may suggest improvements to the author(s), or require changes in order for the poster to be accepted.

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Demos

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Demos are informal project (e.g., plug-in, software, interface, idea, etc.) presentations that will be carried out in parallel with poster presentations. Demos can be submitted through this online form to be added to the conference program.

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Workshops

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Workshop presentations (max duration of 2h) should be 1-4 pages, with up to 5 keywords, including an abstract of up to 150 words to be published on the conference website. Make sure that your proposal indicates if participants are expected to have a specific level, if there are prerequisites, if you'd like to limit the number of participants, etc.

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Workshops will take place in the CCRMA classroom (which can host approximately 30 people). A projector and a 4 channels sound system will be available in this space.

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Submit a brief description of the workshop including a URL (if available).

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How to Submit Papers / Posters / Workshops?

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Call for Music / Multimedia Installations

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LAC 2025 also invites submissions of musical works involving the use of technology/open source software and multimedia installations.

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A jury will select the compositions and installations to be included in the conference program according to artistic merit and technical feasibility. Please be prepared to perform your work yourself and make sure that you have all resources needed to perform your piece (e.g., instruments, props, other performers, etc.).

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LAC 2025 cannot pay for any expenses related to a performance (e.g., performers, travel, accommodation, special equipment, etc.).

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Musical works and installations can address all areas of digital audio and audiovisual art. This includes (but is not limited to) the following categories:

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Available Setups

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For concerts, LAC will provide the following equipment:

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How to Submit Music / Multimedia Installations?

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Committees

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Organizing Committee

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TODO

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Scientific Committee

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TODO

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Artistic Committee

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TODO

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Past Editions

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Past editions of LAC are listed on the Linux Audio website: https://linuxaudio.org/lac.html.

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Registration and Practical Information

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TODO: cf. general menu

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Diversity Statement

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The Linux Audio Conference welcomes and encourages participation by everyone. We want to foster a variety of perspectives, and our goal is to create an inclusive, respectful conference environment that invites participation from people of all races, ethnicities, genders, ages, abilities, religions, and sexual orientation.

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LAC is dedicated to providing a harassment-free conference experience for everyone, regardless of gender, gender identity and expression, sexual orientation, disability, physical appearance, body size, race, age or religion. We do not tolerate harassment of conference participants in any form. Sexual language and imagery is not appropriate for any conference venue, including talks. Conference participants violating these rules may be sanctioned or expelled from the conference at the discretion of the conference organizers.

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In 2025, it will be held at INSA Lyon (France) under the hospices of Inria , GRAME-CNCM , INSA Lyon , and AFIM on June 26-28. Important Dates TODO Call for Papers / Posters / Workshops LAC 2025 invites submissions of papers , posters , demos and workshops addressing all areas of audio processing based on Linux and open source software. All submissions and presentations are in English. Submissions can focus on technical, artistic, and/or scientific issues and can target developers and/or users. This includes (but is not limited to) the following categories: Audio and Music Languages Audio Hardware Support Audio Plugins Drivers, System and Sound Architecture Education and E-Learning Games Interactive Art Interface Design Live Coding Live Performance Media Art MIDI, OSC... Mobile Audio Music Composition Music Production Networked Audio Physical Computing Projects Realized using Linux Audio Realtime Kernel and Linux Distributions Signal Processing and Sound Synthesis Sound Spatialization Standards and Protocols Video Etc. Full Papers Full papers must be written and presented in English. The length of papers is 4 to 8 pages, with up to 5 keywords, including an abstract of up to 200 words. Accepted papers will be available on the conference website during and after the conference and will be published in the conference proceedings with an ISBN. All papers are peer reviewed by a committee of experts from different disciplines. Reviewers may suggest improvements to the author(s), or require changes in order to accept the submission. The duration of the presentation is 25 minute followed by a 5 minute discussion. Poster Papers Poster papers must be written in English, should be 2-4 pages, with up to 5 keywords, including an abstract of up to 150 words. Accepted poster papers will be available on the conference website during and after the conference and will be published in the conference proceedings with an ISBN. All posters are peer reviewed by a committee of experts in different disciplines. Reviewers may suggest improvements to the author(s), or require changes in order for the poster to be accepted. Demos Demos are informal project (e.g., plug-in, software, interface, idea, etc.) presentations that will be carried out in parallel with poster presentations. Demos can be submitted through this online form to be added to the conference program. Workshops Workshop presentations (max duration of 2h) should be 1-4 pages, with up to 5 keywords, including an abstract of up to 150 words to be published on the conference website. Make sure that your proposal indicates if participants are expected to have a specific level, if there are prerequisites, if you'd like to limit the number of participants, etc. Workshops will take place in the CCRMA classroom (which can host approximately 30 people). A projector and a 4 channels sound system will be available in this space. Submit a brief description of the workshop including a URL (if available). How to Submit Papers / Posters / Workshops? Use the online submission tool Choose the relevant submission type ( PAPER , POSTER , or WORKSHOP ) in addition to your 5 categories The required file format is PDF. Authors must use the provided templates for paper formatting. Please let us know if you need a special technical setup for your presentation. Call for Music / Multimedia Installations LAC 2025 also invites submissions of musical works involving the use of technology/open source software and multimedia installations. A jury will select the compositions and installations to be included in the conference program according to artistic merit and technical feasibility. Please be prepared to perform your work yourself and make sure that you have all resources needed to perform your piece (e.g., instruments, props, other performers, etc.). LAC 2025 cannot pay for any expenses related to a performance (e.g., performers, travel, accommodation, special equipment, etc.). Musical works and installations can address all areas of digital audio and audiovisual art. This includes (but is not limited to) the following categories: Electronic Music Electroacoustic Music Mixed Music Acoustic Music Sound Installation Interactive Art Audiovisual Installation Game in art Web and Connected Art Available Setups For concerts, LAC will provide the following equipment: CCRMA Stage: 56.8 full 3d sound system (up to 6th order Ambisonics) CCRMA Listening Room: 22.4 sound system (up to 3d order Ambisonics) SCLOrk (the Santa Clara Laptop Orchestra). Pieces accepted for a performance with SCLOrk will be added to the rehearsal schedule of the corresponding SCU class. Additional requests can be made but are not be guaranteed. How to Submit Music / Multimedia Installations? Use the online submission tool Select the submission type PERFORMANCE The required file format is PDF, formatted for Letter paper size. Submissions should include: * Description of the project program notes * Link to video or audio demonstration of the project * Technical rider of the work Committees Organizing Committee TODO Scientific Committee TODO Artistic Committee TODO Past Editions Past editions of LAC are listed on the Linux Audio website: https://linuxaudio.org/lac.html . Registration and Practical Information TODO: cf. general menu Diversity Statement The Linux Audio Conference welcomes and encourages participation by everyone. We want to foster a variety of perspectives, and our goal is to create an inclusive, respectful conference environment that invites participation from people of all races, ethnicities, genders, ages, abilities, religions, and sexual orientation. LAC is dedicated to providing a harassment-free conference experience for everyone, regardless of gender, gender identity and expression, sexual orientation, disability, physical appearance, body size, race, age or religion. We do not tolerate harassment of conference participants in any form. Sexual language and imagery is not appropriate for any conference venue, including talks. Conference participants violating these rules may be sanctioned or expelled from the conference at the discretion of the conference organizers.","title":"LAC"},{"location":"lac/#linux-audio-conference-2025","text":"LAC is the international conference about Free/Open-Source Software for music, sound, and other media with GNU/Linux as the main platform. In 2025, it will be held at INSA Lyon (France) under the hospices of Inria , GRAME-CNCM , INSA Lyon , and AFIM on June 26-28.","title":"Linux Audio Conference 2025"},{"location":"lac/#important-dates","text":"TODO","title":"Important Dates"},{"location":"lac/#call-for-papers-posters-workshops","text":"LAC 2025 invites submissions of papers , posters , demos and workshops addressing all areas of audio processing based on Linux and open source software. All submissions and presentations are in English. Submissions can focus on technical, artistic, and/or scientific issues and can target developers and/or users. This includes (but is not limited to) the following categories: Audio and Music Languages Audio Hardware Support Audio Plugins Drivers, System and Sound Architecture Education and E-Learning Games Interactive Art Interface Design Live Coding Live Performance Media Art MIDI, OSC... Mobile Audio Music Composition Music Production Networked Audio Physical Computing Projects Realized using Linux Audio Realtime Kernel and Linux Distributions Signal Processing and Sound Synthesis Sound Spatialization Standards and Protocols Video Etc.","title":"Call for Papers / Posters / Workshops"},{"location":"lac/#full-papers","text":"Full papers must be written and presented in English. The length of papers is 4 to 8 pages, with up to 5 keywords, including an abstract of up to 200 words. Accepted papers will be available on the conference website during and after the conference and will be published in the conference proceedings with an ISBN. All papers are peer reviewed by a committee of experts from different disciplines. Reviewers may suggest improvements to the author(s), or require changes in order to accept the submission. The duration of the presentation is 25 minute followed by a 5 minute discussion.","title":"Full Papers"},{"location":"lac/#poster-papers","text":"Poster papers must be written in English, should be 2-4 pages, with up to 5 keywords, including an abstract of up to 150 words. Accepted poster papers will be available on the conference website during and after the conference and will be published in the conference proceedings with an ISBN. All posters are peer reviewed by a committee of experts in different disciplines. Reviewers may suggest improvements to the author(s), or require changes in order for the poster to be accepted.","title":"Poster Papers"},{"location":"lac/#demos","text":"Demos are informal project (e.g., plug-in, software, interface, idea, etc.) presentations that will be carried out in parallel with poster presentations. Demos can be submitted through this online form to be added to the conference program.","title":"Demos"},{"location":"lac/#workshops","text":"Workshop presentations (max duration of 2h) should be 1-4 pages, with up to 5 keywords, including an abstract of up to 150 words to be published on the conference website. Make sure that your proposal indicates if participants are expected to have a specific level, if there are prerequisites, if you'd like to limit the number of participants, etc. Workshops will take place in the CCRMA classroom (which can host approximately 30 people). A projector and a 4 channels sound system will be available in this space. Submit a brief description of the workshop including a URL (if available).","title":"Workshops"},{"location":"lac/#how-to-submit-papers-posters-workshops","text":"Use the online submission tool Choose the relevant submission type ( PAPER , POSTER , or WORKSHOP ) in addition to your 5 categories The required file format is PDF. Authors must use the provided templates for paper formatting. Please let us know if you need a special technical setup for your presentation.","title":"How to Submit Papers / Posters / Workshops?"},{"location":"lac/#call-for-music-multimedia-installations","text":"LAC 2025 also invites submissions of musical works involving the use of technology/open source software and multimedia installations. A jury will select the compositions and installations to be included in the conference program according to artistic merit and technical feasibility. Please be prepared to perform your work yourself and make sure that you have all resources needed to perform your piece (e.g., instruments, props, other performers, etc.). LAC 2025 cannot pay for any expenses related to a performance (e.g., performers, travel, accommodation, special equipment, etc.). Musical works and installations can address all areas of digital audio and audiovisual art. This includes (but is not limited to) the following categories: Electronic Music Electroacoustic Music Mixed Music Acoustic Music Sound Installation Interactive Art Audiovisual Installation Game in art Web and Connected Art","title":"Call for Music / Multimedia Installations"},{"location":"lac/#available-setups","text":"For concerts, LAC will provide the following equipment: CCRMA Stage: 56.8 full 3d sound system (up to 6th order Ambisonics) CCRMA Listening Room: 22.4 sound system (up to 3d order Ambisonics) SCLOrk (the Santa Clara Laptop Orchestra). Pieces accepted for a performance with SCLOrk will be added to the rehearsal schedule of the corresponding SCU class. Additional requests can be made but are not be guaranteed.","title":"Available Setups"},{"location":"lac/#how-to-submit-music-multimedia-installations","text":"Use the online submission tool Select the submission type PERFORMANCE The required file format is PDF, formatted for Letter paper size. Submissions should include: * Description of the project program notes * Link to video or audio demonstration of the project * Technical rider of the work","title":"How to Submit Music / Multimedia Installations?"},{"location":"lac/#committees","text":"","title":"Committees"},{"location":"lac/#organizing-committee","text":"TODO","title":"Organizing Committee"},{"location":"lac/#scientific-committee","text":"TODO","title":"Scientific Committee"},{"location":"lac/#artistic-committee","text":"TODO","title":"Artistic Committee"},{"location":"lac/#past-editions","text":"Past editions of LAC are listed on the Linux Audio website: https://linuxaudio.org/lac.html .","title":"Past Editions"},{"location":"lac/#registration-and-practical-information","text":"TODO: cf. general menu","title":"Registration and Practical Information"},{"location":"lac/#diversity-statement","text":"The Linux Audio Conference welcomes and encourages participation by everyone. We want to foster a variety of perspectives, and our goal is to create an inclusive, respectful conference environment that invites participation from people of all races, ethnicities, genders, ages, abilities, religions, and sexual orientation. LAC is dedicated to providing a harassment-free conference experience for everyone, regardless of gender, gender identity and expression, sexual orientation, disability, physical appearance, body size, race, age or religion. We do not tolerate harassment of conference participants in any form. Sexual language and imagery is not appropriate for any conference venue, including talks. Conference participants violating these rules may be sanctioned or expelled from the conference at the discretion of the conference organizers.","title":"Diversity Statement"},{"location":"register/","text":"Register to JIMLAC 2025 Registration information will be posted at the end of the Winter of 2025.","title":"Register"},{"location":"register/#register-to-jimlac-2025","text":"Registration information will be posted at the end of the Winter of 2025.","title":"Register to JIMLAC 2025"},{"location":"travel/","text":"Travel Information Soon...","title":"Travel"},{"location":"travel/#travel-information","text":"Soon...","title":"Travel Information"}]} \ No newline at end of file diff --git a/web/docs/lac.md b/web/docs/lac.md index f681e61..d51b104 100644 --- a/web/docs/lac.md +++ b/web/docs/lac.md @@ -1,3 +1,143 @@ # Linux Audio Conference 2025 -Soon... +LAC is the international conference about Free/Open-Source Software for music, sound, and other media with GNU/Linux as the main platform. In 2025, it will be held at INSA Lyon (France) under the hospices of [Inria](https://inria.fr/), [GRAME-CNCM](https://grame.fr), [INSA Lyon](https://www.insa-lyon.fr/), and [AFIM](http://www.afim-asso.org/) on June 26-28. + +## Important Dates + +TODO + +## Call for Papers / Posters / Workshops + +LAC 2025 invites submissions of [papers](#full-papers), [posters](#poster-papers), [demos](#demos) and [workshops](#workshops) addressing all areas of audio processing based on Linux and open source software. + +All submissions and presentations are in English. + + + +Submissions can focus on technical, artistic, and/or scientific issues and can target developers and/or users. + +This includes (but is not limited to) the following categories: + +* Audio and Music Languages +* Audio Hardware Support +* Audio Plugins +* Drivers, System and Sound Architecture +* Education and E-Learning +* Games +* Interactive Art +* Interface Design +* Live Coding +* Live Performance +* Media Art +* MIDI, OSC... +* Mobile Audio +* Music Composition +* Music Production +* Networked Audio +* Physical Computing +* Projects Realized using Linux Audio +* Realtime Kernel and Linux Distributions +* Signal Processing and Sound Synthesis +* Sound Spatialization +* Standards and Protocols +* Video +* Etc. + +### Full Papers + +Full papers must be written and presented in English. The length of papers is 4 to 8 pages, with up to 5 keywords, including an abstract of up to 200 words. Accepted papers will be available on the conference website during and after the conference and will be published in the conference proceedings with an ISBN. + +All papers are peer reviewed by a committee of experts from different disciplines. Reviewers may suggest improvements to the author(s), or require changes in order to accept the submission. + +The duration of the presentation is 25 minute followed by a 5 minute discussion. + +### Poster Papers + +Poster papers must be written in English, should be 2-4 pages, with up to 5 keywords, including an abstract of up to 150 words. Accepted poster papers will be available on the conference website during and after the conference and will be published in the conference proceedings with an ISBN. + +All posters are peer reviewed by a committee of experts in different disciplines. Reviewers may suggest improvements to the author(s), or require changes in order for the poster to be accepted. + +### Demos + +Demos are informal project (e.g., plug-in, software, interface, idea, etc.) presentations that will be carried out in parallel with poster presentations. Demos can be submitted through [this online form](TODO) to be added to the conference program. + +### Workshops + +Workshop presentations (max duration of 2h) should be 1-4 pages, with up to 5 keywords, including an abstract of up to 150 words to be published on the conference website. Make sure that your proposal indicates if participants are expected to have a specific level, if there are prerequisites, if you'd like to limit the number of participants, etc. + +Workshops will take place in the CCRMA classroom (which can host approximately 30 people). A projector and a 4 channels sound system will be available in this space. + +Submit a brief description of the workshop including a URL (if available). + +### How to Submit Papers / Posters / Workshops? + +* Use the online submission tool +* Choose the relevant submission type (_PAPER_, _POSTER_, or _WORKSHOP_) in addition to your 5 categories +* The required file format is PDF. Authors must use [the provided templates](TODO) for paper formatting. +* Please let us know if you need a special technical setup for your presentation. + +## Call for Music / Multimedia Installations + +LAC 2025 also invites submissions of musical works involving the use of technology/open source software and multimedia installations. + +A jury will select the compositions and installations to be included in the conference program according to artistic merit and technical feasibility. Please be prepared to perform your work yourself and make sure that you have all resources needed to perform your piece (e.g., instruments, props, other performers, etc.). + +LAC 2025 cannot pay for any expenses related to a performance (e.g., performers, travel, accommodation, special equipment, etc.). + +Musical works and installations can address all areas of digital audio and audiovisual art. This includes (but is not limited to) the following categories: + +* Electronic Music +* Electroacoustic Music +* Mixed Music +* Acoustic Music +* Sound Installation +* Interactive Art +* Audiovisual Installation +* Game in art +* Web and Connected Art + +### Available Setups + +For concerts, LAC will provide the following equipment: + +* CCRMA Stage: 56.8 full 3d sound system (up to 6th order Ambisonics) +* CCRMA Listening Room: 22.4 sound system (up to 3d order Ambisonics) +* SCLOrk (the Santa Clara Laptop Orchestra). Pieces accepted for a performance with SCLOrk will be added to the rehearsal schedule of the corresponding SCU class. +* Additional requests can be made but are not be guaranteed. + +### How to Submit Music / Multimedia Installations? + +* Use the [online submission tool](TODO) +* Select the submission type _PERFORMANCE_ +* The required file format is PDF, formatted for Letter paper size. Submissions should include: + * Description of the project program notes + * Link to video or audio demonstration of the project + * Technical rider of the work + +## Committees + +### Organizing Committee + +TODO + +### Scientific Committee + +TODO + +### Artistic Committee + +TODO + +## Past Editions + +Past editions of LAC are listed on the Linux Audio website: . + +## Registration and Practical Information + +TODO: cf. general menu + +## Diversity Statement + +The Linux Audio Conference welcomes and encourages participation by everyone. We want to foster a variety of perspectives, and our goal is to create an inclusive, respectful conference environment that invites participation from people of all races, ethnicities, genders, ages, abilities, religions, and sexual orientation. + +LAC is dedicated to providing a harassment-free conference experience for everyone, regardless of gender, gender identity and expression, sexual orientation, disability, physical appearance, body size, race, age or religion. We do not tolerate harassment of conference participants in any form. Sexual language and imagery is not appropriate for any conference venue, including talks. Conference participants violating these rules may be sanctioned or expelled from the conference at the discretion of the conference organizers.