From 2fba4aff181a285c0f6be4e2f1b37834d48021d7 Mon Sep 17 00:00:00 2001
From: jonaschlegel <jona.schlegel@gmail.com>
Date: Mon, 11 Nov 2024 12:46:42 +0100
Subject: [PATCH] Fix literature reviews to fit the structure

---
 .../resources/illustrations/AckeEtAl-2018.mdx | 11 +---------
 .../illustrations/Addington-1986.mdx          | 11 +---------
 .../illustrations/AdkinsEtAl-1989.mdx         | 11 +---------
 .../illustrations/AhmedEtAl-2014.mdx          | 15 +++-----------
 data/resources/illustrations/Allen-1994.mdx   |  8 +-------
 .../illustrations/AntlejEtAl-2012.mdx         | 15 +++-----------
 data/resources/illustrations/Baker-2018.mdx   | 15 +++-----------
 .../illustrations/BallettiEtAl-2015.mdx       | 15 +++-----------
 data/resources/illustrations/Bearman-2011.mdx | 15 +++-----------
 .../illustrations/BoersmaEtAl-2022.mdx        |  6 ------
 data/resources/illustrations/Collett-2017.mdx |  6 ------
 .../illustrations/DawsonEtAl-2019.mdx         | 13 ++----------
 data/resources/illustrations/Dey-2018.mdx     | 13 ++----------
 data/resources/illustrations/Dixon-2002.mdx   | 13 ++----------
 data/resources/illustrations/Dixon-2005.mdx   | 19 +++++-------------
 .../illustrations/DobieEtAl-2010.mdx          | 13 ++----------
 .../illustrations/DouglassEtAl-2019.mdx       | 13 ++----------
 .../illustrations/DryerEtAl-2009.mdx          | 18 +++++------------
 .../illustrations/EboleseEtAl-2017.mdx        | 15 +++-----------
 data/resources/illustrations/Fantini-2008.mdx | 13 ++----------
 .../illustrations/FosterEtAl-2016.mdx         | 13 ++----------
 .../resources/illustrations/Galeazzi-2018.mdx | 13 ++----------
 data/resources/illustrations/Garstki-2017.mdx | 13 ++----------
 .../illustrations/GarstkiEtAl-2018.mdx        | 15 +++-----------
 data/resources/illustrations/Gatt-2019.mdx    | 13 ++----------
 .../illustrations/GilboaEtAl-2012.mdx         | 20 ++++++-------------
 data/resources/illustrations/Goddard-2000.mdx | 18 +++++------------
 .../illustrations/GoddardEtAl-1997.mdx        | 11 +---------
 .../illustrations/GriffithsEtAl-1990.mdx      |  6 ------
 data/resources/illustrations/Hameeuw-2018.mdx | 13 ++----------
 .../resources/illustrations/Hamilton-1996.mdx | 18 +++++------------
 .../illustrations/HamiltonEtAl-1992.mdx       | 18 +++++------------
 .../illustrations/HamiltonEtAl-2022.mdx       |  8 +-------
 .../illustrations/HarrowerEtAl-2014.mdx       | 15 +++-----------
 .../illustrations/HaukaasEtAl-2016.mdx        | 13 ++----------
 .../illustrations/HindmarchEtAl-2019.mdx      | 15 +++-----------
 data/resources/illustrations/Howell-2018.mdx  | 13 ++----------
 data/resources/illustrations/Ingold-2011.mdx  | 14 ++-----------
 data/resources/illustrations/James-2011.mdx   | 11 +---------
 .../illustrations/Lewuillon-2002.mdx          | 13 ++----------
 data/resources/illustrations/LuoEtAl-2009.mdx | 18 +++++------------
 .../illustrations/MartingellEtAl-1988.mdx     |  6 ------
 .../illustrations/MorganEtAl-2018.mdx         | 13 ++----------
 data/resources/illustrations/Moser-2014.mdx   | 11 +---------
 .../illustrations/PerryEtAl-2014.mdx          | 11 ++--------
 .../illustrations/RaczynskiHenk-2017.mdx      |  5 -----
 data/resources/illustrations/Small-2013.mdx   |  5 -----
 data/resources/illustrations/Steiner-2005.mdx |  8 +-------
 .../illustrations/SterudEtAl-1976.mdx         | 11 +---------
 data/resources/illustrations/Taylor-2002.mdx  |  6 ------
 .../illustrations/TilleyEtAl-2000.mdx         | 18 +++++------------
 51 files changed, 112 insertions(+), 531 deletions(-)

diff --git a/data/resources/illustrations/AckeEtAl-2018.mdx b/data/resources/illustrations/AckeEtAl-2018.mdx
index 82bdd91..f0c981d 100644
--- a/data/resources/illustrations/AckeEtAl-2018.mdx
+++ b/data/resources/illustrations/AckeEtAl-2018.mdx
@@ -60,18 +60,9 @@ This conference paper is aimed at researchers, conservators, and digital archaeo
 
 "Digital reconstruction offers an innovative approach to preserving fragile historical objects such as lace porcelain. By creating detailed 3D models, conservators can visualize and reconstruct missing or damaged parts without physically manipulating the object, ensuring its long-term preservation."
 
-## Purchase or Access
-
-[Read the paper](https://link.springer.com/chapter/10.1007/978-3-030-01762-0_2)
-
 ## Reviews
 
-- _"This paper provides an excellent overview of the use of 3D modeling in cultural heritage preservation, demonstrating how digital techniques can revolutionize the restoration of fragile materials."_ — Journal of Digital Cultural Heritage
-
-## Further Reading
-
-- **Bruno, F. et al.** 2016. _3D Acquisition, Modeling, and Digital Representation of Cultural Heritage for Conservation Purposes_. Journal of Cultural Heritage, 21, pp. 22–32.
-- **Graves-Brown, P.** 2013. _Cultural Heritage and Archaeology in the Digital Age_. London: Routledge.
+This paper provides an excellent overview of the use of 3D modeling in cultural heritage preservation, demonstrating how digital techniques can revolutionize the restoration of fragile materials.
 
 <Tags
   tags={[
diff --git a/data/resources/illustrations/Addington-1986.mdx b/data/resources/illustrations/Addington-1986.mdx
index 4cf47f4..03f6ddd 100644
--- a/data/resources/illustrations/Addington-1986.mdx
+++ b/data/resources/illustrations/Addington-1986.mdx
@@ -35,17 +35,8 @@ This book is designed primarily for archaeologists and illustrators who speciali
 
 "Mastering the techniques of lithic illustration requires not just artistic skill but an understanding of the archaeological context in which these artifacts are studied. This dual knowledge ensures that illustrations are both scientifically accurate and aesthetically appropriate for publication."
 
-## Purchase or Access
-
-[Buy the book](https://www.amazon.com/dp/0226006352)
-
 ## Reviews
 
-"An invaluable resource for anyone involved in archaeological illustration, especially those dealing with lithic artifacts." — Journal of Archaeological Science
-
-## Further Reading
-
-- **Adkins, L. & Adkins, R.** 1989. _Archaeological Illustration_. Cambridge: Cambridge University Press.
-- **Martingell, H. & Saville, A.** 1988. _The Illustration of Lithic Artefacts_. Devon: Association of Archaeological Illustrators and Surveyors.
+An invaluable resource for anyone involved in archaeological illustration, especially those dealing with lithic artifacts.
 
 <Tags tags={['lithic', 'stone tools', 'illustration', 'publication', 'archaeology']} />
diff --git a/data/resources/illustrations/AdkinsEtAl-1989.mdx b/data/resources/illustrations/AdkinsEtAl-1989.mdx
index 7c592e6..d302df0 100644
--- a/data/resources/illustrations/AdkinsEtAl-1989.mdx
+++ b/data/resources/illustrations/AdkinsEtAl-1989.mdx
@@ -38,17 +38,8 @@ The book is aimed at both professional archaeologists and students in the field
 
 "Effective archaeological illustration bridges the gap between fieldwork and publication, enabling scholars to communicate their findings with clarity and precision. The accuracy of an artifact's depiction can have a significant impact on its interpretation and academic value."
 
-## Purchase or Access
-
-[Buy the book](https://www.amazon.com/dp/0521344053)
-
 ## Reviews
 
-"A must-have resource for archaeologists and illustrators alike, offering detailed insights into the art and science of archaeological illustration." — Antiquity Journal
-
-## Further Reading
-
-- **Addington, L. R.** 1986. _Lithic Illustration: Drawing Flaked Stone Artifacts for Publication_. Chicago: University of Chicago Press.
-- **Graves, P.** 1990. _Illustrating Archaeology: A Guide to Graphic Production_. London: British Museum Press.
+A must-have resource for archaeologists and illustrators alike, offering detailed insights into the art and science of archaeological illustration.
 
 <Tags tags={['archaeology', 'illustration', 'artifacts', 'publication', 'drawing']} />
diff --git a/data/resources/illustrations/AhmedEtAl-2014.mdx b/data/resources/illustrations/AhmedEtAl-2014.mdx
index 443170c..1387cac 100644
--- a/data/resources/illustrations/AhmedEtAl-2014.mdx
+++ b/data/resources/illustrations/AhmedEtAl-2014.mdx
@@ -9,7 +9,7 @@ authors:
     firstName: 'Neal'
 year: '2014'
 publisher: 'World Archaeology'
-externalLink: ''
+externalLink: 'https://www.tandfonline.com/doi/abs/10.1080/00438243.2014.890653'
 reviewsLink: ''
 type: 'Article'
 category: '3D Digitization'
@@ -30,7 +30,7 @@ hidden: true
 
 ## Abstract
 
-This article by Nafis Ahmed, Matthew Carter, and Neal Ferris explores the concept of sustainable archaeology through the use of progressive assembly 3D digitization. Published in _World Archaeology_, the paper presents innovative methods for digitally preserving archaeological artifacts and sites, offering a sustainable approach to data management and conservation. By leveraging 3D digitization technologies, the authors propose a model for minimizing the physical manipulation of artifacts while maximizing their accessibility for research and public engagement.
+This article by Nafis Ahmed, Matthew Carter, and Neal Ferris explores the concept of sustainable archaeology through the use of progressive assembly 3D digitization. Published in "World Archaeology", the paper presents innovative methods for digitally preserving archaeological artifacts and sites, offering a sustainable approach to data management and conservation. By leveraging 3D digitization technologies, the authors propose a model for minimizing the physical manipulation of artifacts while maximizing their accessibility for research and public engagement.
 
 ## Purpose and Audience
 
@@ -48,18 +48,9 @@ This article is intended for archaeologists, digital heritage professionals, and
 
 "3D digitization offers a sustainable alternative to traditional archaeological methods by enabling detailed documentation without the need for repeated physical handling of artifacts. This approach not only preserves fragile objects but also enhances access for researchers and the public alike."
 
-## Purchase or Access
-
-[Read the article](https://www.tandfonline.com/doi/abs/10.1080/00438243.2014.890653)
-
 ## Reviews
 
-- _"This article provides a forward-looking approach to sustainability in archaeology, demonstrating how 3D digitization can reduce the environmental and physical impact of archaeological research."_ — Journal of Digital Archaeology
-
-## Further Reading
-
-- **Bruno, F. et al.** 2016. _3D Acquisition, Modeling, and Digital Representation of Cultural Heritage for Conservation Purposes_. Journal of Cultural Heritage, 21, pp. 22–32.
-- **De Reu, J. et al.** 2013. _Applications of 3D Recording in Archaeological Excavations_. Journal of Archaeological Science, 40(7), pp. 3413–3420.
+This article provides a forward-looking approach to sustainability in archaeology, demonstrating how 3D digitization can reduce the environmental and physical impact of archaeological research.
 
 <Tags
   tags={[
diff --git a/data/resources/illustrations/Allen-1994.mdx b/data/resources/illustrations/Allen-1994.mdx
index fa78b10..7de0d71 100644
--- a/data/resources/illustrations/Allen-1994.mdx
+++ b/data/resources/illustrations/Allen-1994.mdx
@@ -65,13 +65,7 @@ The guide includes practical instructions for illustrating wood grain and comple
 
 ## Reviews
 
-_The Illustration of Wooden Artefacts_ is a respected resource within archaeological illustration, valued for its specialised focus on wood-specific techniques.
-
-## Further Reading
-
-- Griffiths, N., Jenner, A., & Wilson, C. (1991). _Drawing Archaeological Finds: A Handbook_.
-- Martingell, H., & Saville, A. (1988). _The Illustration of Lithic Artefacts_.
-- Steiner, M. (2005). _Approaches to Archaeological Illustration_.
+The Illustration of Wooden Artefacts" is a respected resource within archaeological illustration, valued for its specialised focus on wood-specific techniques.
 
 <Tags
   tags={[
diff --git a/data/resources/illustrations/AntlejEtAl-2012.mdx b/data/resources/illustrations/AntlejEtAl-2012.mdx
index 95769dc..60284db 100644
--- a/data/resources/illustrations/AntlejEtAl-2012.mdx
+++ b/data/resources/illustrations/AntlejEtAl-2012.mdx
@@ -13,7 +13,7 @@ authors:
     firstName: 'Dražen'
 year: '2012'
 publisher: 'Преглед НЦД'
-externalLink: ''
+externalLink: 'http://www.ncd.matf.bg.ac.rs/p21/papers/Antlej.pdf'
 reviewsLink: ''
 type: 'Article'
 category: '3D Restoration'
@@ -34,7 +34,7 @@ hidden: true
 
 ## Abstract
 
-This article presents a case study on the restoration of a stemmed fruit bowl using 3D technologies. Authored by Kristina Antlej, Klavdija Celec, Merita Sinani, Edvard Mirtič, and Dražen Ljubič, the paper outlines the use of 3D scanning, modeling, and printing in the process of reconstructing the damaged bowl. Published in _Преглед НЦД_, the study demonstrates how digital technologies can contribute to the restoration and preservation of delicate cultural heritage objects.
+This article presents a case study on the restoration of a stemmed fruit bowl using 3D technologies. Authored by Kristina Antlej, Klavdija Celec, Merita Sinani, Edvard Mirtič, and Dražen Ljubič, the paper outlines the use of 3D scanning, modeling, and printing in the process of reconstructing the damaged bowl. Published in "Преглед НЦД", the study demonstrates how digital technologies can contribute to the restoration and preservation of delicate cultural heritage objects.
 
 ## Purpose and Audience
 
@@ -52,18 +52,9 @@ This article is aimed at conservators, digital heritage professionals, and archa
 
 "3D technologies offer unprecedented opportunities for restoring fragile artifacts, allowing conservators to recreate missing or damaged parts with precision while preserving the original object’s integrity."
 
-## Purchase or Access
-
-[Access the article](http://www.ncd.matf.bg.ac.rs/p21/papers/Antlej.pdf)
-
 ## Reviews
 
-- _"Antlej et al.'s article showcases the growing potential of 3D technologies in heritage conservation, offering a detailed case study that highlights the practical applications and future possibilities of digital restoration."_ — Journal of Cultural Heritage
-
-## Further Reading
-
-- **Bruno, F. et al.** 2016. _3D Acquisition, Modeling, and Digital Representation of Cultural Heritage for Conservation Purposes_. Journal of Cultural Heritage, 21, pp. 22–32.
-- **Ahmed, N. et al.** 2014. _Sustainable Archaeology Through Progressive Assembly 3D Digitization_. World Archaeology, 46(1), pp. 137–154.
+Antlej et al.'s article showcases the growing potential of 3D technologies in heritage conservation, offering a detailed case study that highlights the practical applications and future possibilities of digital restoration.
 
 <Tags
   tags={[
diff --git a/data/resources/illustrations/Baker-2018.mdx b/data/resources/illustrations/Baker-2018.mdx
index 3bdc043..856c01f 100644
--- a/data/resources/illustrations/Baker-2018.mdx
+++ b/data/resources/illustrations/Baker-2018.mdx
@@ -5,7 +5,7 @@ authors:
     firstName: 'Fred'
 year: '2018'
 publisher: 'Current Anthropology'
-externalLink: ''
+externalLink: 'https://www.journals.uchicago.edu/doi/full/10.1086/697168'
 reviewsLink: ''
 type: 'Commentary'
 category: 'Archaeological Simulations'
@@ -26,7 +26,7 @@ hidden: true
 
 ## Abstract
 
-In this brief commentary, Fred Baker offers insights into the article _3-D Virtual Replicas and Simulations of the Past_ by Francesco Galeazzi, published in _Current Anthropology_. Baker’s comments focus on the potential and limitations of 3D virtual replicas in archaeology, particularly in terms of accessibility, accuracy, and public engagement. The commentary provides critical reflections on the use of digital tools in the study and preservation of archaeological sites.
+In this brief commentary, Fred Baker offers insights into the article "3-D Virtual Replicas and Simulations of the Past" by Francesco Galeazzi, published in "Current Anthropology". Baker’s comments focus on the potential and limitations of 3D virtual replicas in archaeology, particularly in terms of accessibility, accuracy, and public engagement. The commentary provides critical reflections on the use of digital tools in the study and preservation of archaeological sites.
 
 ## Purpose and Audience
 
@@ -43,18 +43,9 @@ This commentary is intended for archaeologists, digital heritage professionals,
 
 "While 3D virtual replicas offer exciting possibilities for archaeology, they must be employed with caution. The accuracy of these simulations, along with their ability to engage both researchers and the public, remains a critical issue that must be addressed."
 
-## Purchase or Access
-
-[Read the article](https://www.journals.uchicago.edu/doi/full/10.1086/697168)
-
 ## Reviews
 
-- _"Baker’s commentary offers a balanced view on the current state of 3D simulations in archaeology, highlighting both their potential and the challenges that remain."_ — Digital Archaeology Review
-
-## Further Reading
-
-- **Galeazzi, F.** 2018. _3-D Virtual Replicas and Simulations of the Past_. Current Anthropology, 59(3), pp. 277–298.
-- **Bruno, F. et al.** 2016. _3D Acquisition, Modeling, and Digital Representation of Cultural Heritage for Conservation Purposes_. Journal of Cultural Heritage, 21, pp. 22–32.
+Baker’s commentary offers a balanced view on the current state of 3D simulations in archaeology, highlighting both their potential and the challenges that remain.
 
 <Tags
   tags={[
diff --git a/data/resources/illustrations/BallettiEtAl-2015.mdx b/data/resources/illustrations/BallettiEtAl-2015.mdx
index 5e0d033..a742a29 100644
--- a/data/resources/illustrations/BallettiEtAl-2015.mdx
+++ b/data/resources/illustrations/BallettiEtAl-2015.mdx
@@ -13,7 +13,7 @@ authors:
     firstName: 'Paolo'
 year: '2015'
 publisher: 'Digital Applications in Archaeology and Cultural Heritage'
-externalLink: ''
+externalLink: 'https://www.sciencedirect.com/science/article/pii/S2212054815000131'
 reviewsLink: ''
 type: 'Article'
 category: '3D Reconstruction'
@@ -34,7 +34,7 @@ hidden: true
 
 ## Abstract
 
-This article presents a case study on the 3D reconstruction of marble cargoes from shipwrecks using underwater multi-image photogrammetry. Authored by Cinzia Balletti, Carla Beltrame, Elisa Costa, Francesco Guerra, and Paolo Vernier, the paper outlines the methodologies and technologies employed in creating accurate 3D models of submerged archaeological sites. Published in _Digital Applications in Archaeology and Cultural Heritage_, the study highlights how photogrammetry can be used to digitally preserve and study delicate underwater artifacts.
+This article presents a case study on the 3D reconstruction of marble cargoes from shipwrecks using underwater multi-image photogrammetry. Authored by Cinzia Balletti, Carla Beltrame, Elisa Costa, Francesco Guerra, and Paolo Vernier, the paper outlines the methodologies and technologies employed in creating accurate 3D models of submerged archaeological sites. Published in "Digital Applications in Archaeology and Cultural Heritage", the study highlights how photogrammetry can be used to digitally preserve and study delicate underwater artifacts.
 
 ## Purpose and Audience
 
@@ -52,18 +52,9 @@ This article is aimed at archaeologists, underwater researchers, and digital her
 
 "Underwater photogrammetry allows for precise and non-invasive documentation of shipwrecks and their cargoes, making it possible to create 3D models that preserve the site's integrity while providing detailed data for further research and analysis."
 
-## Purchase or Access
-
-[Read the article](https://www.sciencedirect.com/science/article/pii/S2212054815000131)
-
 ## Reviews
 
-- _"Balletti et al.’s study demonstrates the effectiveness of multi-image photogrammetry in underwater archaeology, providing a robust method for reconstructing and analyzing submerged artifacts."_ — Journal of Maritime Archaeology
-
-## Further Reading
-
-- **Bruno, F. et al.** 2016. _3D Acquisition, Modeling, and Digital Representation of Cultural Heritage for Conservation Purposes_. Journal of Cultural Heritage, 21, pp. 22–32.
-- **Galeazzi, F.** 2018. _3-D Virtual Replicas and Simulations of the Past_. Current Anthropology, 59(3), pp. 277–298.
+Balletti et al.’s study demonstrates the effectiveness of multi-image photogrammetry in underwater archaeology, providing a robust method for reconstructing and analyzing submerged artifacts.
 
 <Tags
   tags={[
diff --git a/data/resources/illustrations/Bearman-2011.mdx b/data/resources/illustrations/Bearman-2011.mdx
index e010453..30ccd06 100644
--- a/data/resources/illustrations/Bearman-2011.mdx
+++ b/data/resources/illustrations/Bearman-2011.mdx
@@ -5,7 +5,7 @@ authors:
     firstName: 'David'
 year: '2011'
 publisher: 'Curator: The Museum Journal'
-externalLink: ''
+externalLink: 'https://onlinelibrary.wiley.com/doi/full/10.1111/j.2151-6952.2010.00064.x'
 reviewsLink: ''
 type: 'Article'
 category: 'Museums and 3D Technology'
@@ -18,7 +18,7 @@ hidden: true
 
 ## Abstract
 
-David Bearman explores the use of 3D representations in museums, discussing how digital models and reconstructions are increasingly integrated into museum exhibitions. Published in _Curator: The Museum Journal_, this article addresses the opportunities and challenges presented by 3D technology in enhancing the museum visitor experience, preserving artifacts, and supporting scholarly research.
+David Bearman explores the use of 3D representations in museums, discussing how digital models and reconstructions are increasingly integrated into museum exhibitions. Published in "Curator: The Museum Journal", this article addresses the opportunities and challenges presented by 3D technology in enhancing the museum visitor experience, preserving artifacts, and supporting scholarly research.
 
 ## Purpose and Audience
 
@@ -36,18 +36,9 @@ This article is aimed at museum professionals, curators, and digital heritage ex
 
 "3D technologies have the potential to transform museum practices by offering new ways to present and preserve artifacts. However, their successful integration requires careful consideration of their limitations and the contexts in which they are used."
 
-## Purchase or Access
-
-[Read the article](https://onlinelibrary.wiley.com/doi/full/10.1111/j.2151-6952.2010.00064.x)
-
 ## Reviews
 
-- _"Bearman provides a critical analysis of the role of 3D technologies in museums, offering practical insights for curators and museum professionals."_ — Museum Studies Review
-
-## Further Reading
-
-- **Galeazzi, F.** 2018. _3-D Virtual Replicas and Simulations of the Past_. Current Anthropology, 59(3), pp. 277–298.
-- **Bruno, F. et al.** 2016. _3D Acquisition, Modeling, and Digital Representation of Cultural Heritage for Conservation Purposes_. Journal of Cultural Heritage, 21, pp. 22–32.
+Bearman provides a critical analysis of the role of 3D technologies in museums, offering practical insights for curators and museum professionals.
 
 <Tags
   tags={['3D representations', 'museums', 'digital heritage', 'visualization', 'museum technology']}
diff --git a/data/resources/illustrations/BoersmaEtAl-2022.mdx b/data/resources/illustrations/BoersmaEtAl-2022.mdx
index 69f7282..48f163f 100644
--- a/data/resources/illustrations/BoersmaEtAl-2022.mdx
+++ b/data/resources/illustrations/BoersmaEtAl-2022.mdx
@@ -70,12 +70,6 @@ Each section includes practical guidelines and illustrative steps for drawing an
 
 This guide is well-regarded within academic and professional archaeology circles for its detailed approach and emphasis on standardisation, though no formal reviews are included in the document itself.
 
-## Further Reading
-
-- Adkins, L., & Adkins, R.A. (1989). _Archaeological Illustration_. Cambridge University Press.
-- Steiner, M. (2005). _Approaches to Archaeological Illustration: A Handbook_. Council for British Archaeology.
-- Griffiths, N., Jenner, A., & Wilson, C. (1991). _Drawing Archaeological Finds: A Handbook_. UCL.
-
 <Tags
   tags={[
     'Archaeological Draughtsmanship',
diff --git a/data/resources/illustrations/Collett-2017.mdx b/data/resources/illustrations/Collett-2017.mdx
index 298d1ad..747d670 100644
--- a/data/resources/illustrations/Collett-2017.mdx
+++ b/data/resources/illustrations/Collett-2017.mdx
@@ -76,12 +76,6 @@ Each section includes practical steps for illustrating pottery, but there are no
 
 The guide is widely regarded within the archaeological community, particularly in the UK, for its adherence to CIfA standards and its structured approach to pottery illustration.
 
-## Further Reading
-
-- Adkins, L., & Adkins, R.A. (1989). _Archaeological Illustration_. Cambridge University Press.
-- Griffiths, N., Jenner, A., & Wilson, C. (1991). _Drawing Archaeological Finds: A Handbook_. UCL.
-- Steiner, M. (2005). _Approaches to Archaeological Illustration: A Handbook_. Council for British Archaeology.
-
 <Tags
   tags={[
     'Pottery Illustration',
diff --git a/data/resources/illustrations/DawsonEtAl-2019.mdx b/data/resources/illustrations/DawsonEtAl-2019.mdx
index 0a79e02..a4b7035 100644
--- a/data/resources/illustrations/DawsonEtAl-2019.mdx
+++ b/data/resources/illustrations/DawsonEtAl-2019.mdx
@@ -7,7 +7,7 @@ authors:
     firstName: 'Paul'
 year: '2019'
 publisher: 'Epoiesen'
-externalLink: ''
+externalLink: 'https://epoiesen.library.carleton.ca/issue/view/16'
 reviewsLink: ''
 type: 'Article'
 category: 'Phygital Archaeology'
@@ -46,18 +46,9 @@ This article is aimed at archaeologists, digital humanists, and researchers inte
 
 "By embracing both physical and digital methodologies, archaeologists can develop a more holistic understanding of material culture, where objects and digital data co-exist and inform each other within a recursive and iterative process."
 
-## Purchase or Access
-
-[Read the article](https://epoiesen.library.carleton.ca/issue/view/16)
-
 ## Reviews
 
-- _"A fascinating exploration of the phygital in archaeology, combining theoretical insights with practical applications."_ — Journal of Digital Archaeology
-
-## Further Reading
-
-- **Perry, S. & Johnson, M.** 2014. _Reconstruction Art and Disciplinary Practice: Alan Sorrell and the Negotiation of the Archaeological Record_. The Antiquaries Journal, 94(1), pp. 323–352.
-- **Galeazzi, F.** 2018. _3-D Virtual Replicas and Simulations of the Past_. Current Anthropology, 59(3), pp. 277–298.
+A fascinating exploration of the phygital in archaeology, combining theoretical insights with practical applications.
 
 <Tags
   tags={[
diff --git a/data/resources/illustrations/Dey-2018.mdx b/data/resources/illustrations/Dey-2018.mdx
index 0044903..8faa135 100644
--- a/data/resources/illustrations/Dey-2018.mdx
+++ b/data/resources/illustrations/Dey-2018.mdx
@@ -5,7 +5,7 @@ authors:
     firstName: 'Saptarshi'
 year: '2018'
 publisher: 'Archaeopress'
-externalLink: ''
+externalLink: 'https://archaeopress.com/ArchaeopressShop/Public/displayProductDetail.asp?id=%7B1903D7EB-97A3-4459-BF73-7957F1A7F566%7D'
 reviewsLink: ''
 type: 'Book Chapter'
 category: '3D Digital Methods'
@@ -44,18 +44,9 @@ This chapter is intended for archaeologists, conservators, and digital heritage
 
 "While 3D digital methods offer significant opportunities for the preservation and analysis of cultural heritage, they also present a range of challenges, particularly regarding accuracy, scalability, and long-term data management."
 
-## Purchase or Access
-
-[Buy the book](https://archaeopress.com/ArchaeopressShop/Public/displayProductDetail.asp?id=%7B1903D7EB-97A3-4459-BF73-7957F1A7F566%7D)
-
 ## Reviews
 
-- _"Dey’s chapter provides a comprehensive and practical overview of the real-world applications of 3D digital methods, offering valuable insights for both practitioners and scholars."_ — Journal of Digital Heritage
-
-## Further Reading
-
-- **Bruno, F. et al.** 2016. _3D Acquisition, Modeling, and Digital Representation of Cultural Heritage for Conservation Purposes_. Journal of Cultural Heritage, 21, pp. 22–32.
-- **Ahmed, N. et al.** 2014. _Sustainable Archaeology Through Progressive Assembly 3D Digitization_. World Archaeology, 46(1), pp. 137–154.
+Dey’s chapter provides a comprehensive and practical overview of the real-world applications of 3D digital methods, offering valuable insights for both practitioners and scholars.
 
 <Tags
   tags={[
diff --git a/data/resources/illustrations/Dixon-2002.mdx b/data/resources/illustrations/Dixon-2002.mdx
index f6fce1a..cd8786f 100644
--- a/data/resources/illustrations/Dixon-2002.mdx
+++ b/data/resources/illustrations/Dixon-2002.mdx
@@ -5,7 +5,7 @@ authors:
     firstName: 'Susan'
 year: '2002'
 publisher: 'Art History Journal'
-externalLink: ''
+externalLink: 'https://onlinelibrary.wiley.com/doi/abs/10.1111/1467-8365.00331'
 reviewsLink: ''
 type: 'Article'
 category: 'Archaeological Illustrations'
@@ -43,18 +43,9 @@ This article is aimed at art historians, archaeologists, and scholars interested
 
 "Piranesi’s illustrations are not mere reproductions of ancient ruins but imaginative reconstructions that blend archaeology with a unique artistic vision. His ability to visualize the grandeur of Rome, both in its past and through his prints, left an indelible mark on the field of classical archaeology."
 
-## Purchase or Access
-
-[Read the article](https://onlinelibrary.wiley.com/doi/abs/10.1111/1467-8365.00331)
-
 ## Reviews
 
-- _"Dixon provides a compelling analysis of Piranesi’s work, highlighting its artistic merit and archaeological significance."_ — Journal of Art History
-
-## Further Reading
-
-- **Wilton-Ely, J.** 1978. _Piranesi: The Complete Etchings_. London: Arts Council of Great Britain.
-- **Scott, S.** 2003. _Piranesi’s Vision: Archaeology and Imagination in 18th-Century Rome_. Cambridge: Cambridge University Press.
+Dixon provides a compelling analysis of Piranesi’s work, highlighting its artistic merit and archaeological significance.
 
 <Tags
   tags={['archaeological illustrations', 'art history', '18th century', 'classical archaeology']}
diff --git a/data/resources/illustrations/Dixon-2005.mdx b/data/resources/illustrations/Dixon-2005.mdx
index 6b24c0a..ce3909b 100644
--- a/data/resources/illustrations/Dixon-2005.mdx
+++ b/data/resources/illustrations/Dixon-2005.mdx
@@ -5,7 +5,7 @@ authors:
     firstName: 'Susan M.'
 year: '2005'
 publisher: 'Blackwell Publishing'
-externalLink: ''
+externalLink: 'https://www.wiley.com/en-us/Envisioning+the+Past%3A+Archaeology+and+the+Image-p-9781405117034'
 reviewsLink: ''
 type: 'Book Chapter'
 category: 'Archaeological Illustrations'
@@ -28,7 +28,7 @@ hidden: true
 
 ## Abstract
 
-This chapter by Susan M. Dixon examines Piranesi’s _Il Campo Marzio_ through the lens of uchronia, exploring how the illustrations blur temporal boundaries and reimagine Ancient Rome. Dixon delves into the ways Piranesi’s work, particularly his use of iconography, creates an alternative historical narrative that challenges conventional views of time and space in archaeology. This chapter is part of the edited volume _Envisioning the Past: Archaeology and the Image_ by Smiles and Moser.
+This chapter by Susan M. Dixon examines Piranesi’s "Il Campo Marzio" through the lens of uchronia, exploring how the illustrations blur temporal boundaries and reimagine Ancient Rome. Dixon delves into the ways Piranesi’s work, particularly his use of iconography, creates an alternative historical narrative that challenges conventional views of time and space in archaeology. This chapter is part of the edited volume "Envisioning the Past: Archaeology and the Image" by Smiles and Moser.
 
 ## Purpose and Audience
 
@@ -37,27 +37,18 @@ This chapter is aimed at art historians, archaeologists, and scholars with an in
 ## Table of Contents
 
 1. Introduction: Time and Iconography in Piranesi’s Work
-2. Uchronia and the Temporal Dislocation of _Il Campo Marzio_
+2. Uchronia and the Temporal Dislocation of "Il Campo Marzio"
 3. Piranesi’s Use of Iconography
 4. The Reinterpretation of Ancient Rome in the 18th Century
 5. Conclusion: Visualizing Time and Space in Archaeology
 
 ## Key Excerpt
 
-"Piranesi’s _Il Campo Marzio_ not only reconstructs the topography of Ancient Rome but also warps time by juxtaposing multiple eras within a single visual framework. His illustrations are both archaeological and fantastical, offering viewers a complex, layered interpretation of Rome’s past."
-
-## Purchase or Access
-
-[Buy the book](https://www.wiley.com/en-us/Envisioning+the+Past%3A+Archaeology+and+the+Image-p-9781405117034)
+"Piranesi’s 'Il Campo Marzio' not only reconstructs the topography of Ancient Rome but also warps time by juxtaposing multiple eras within a single visual framework. His illustrations are both archaeological and fantastical, offering viewers a complex, layered interpretation of Rome’s past."
 
 ## Reviews
 
-- _"An insightful examination of how Piranesi’s illustrations disrupt traditional perceptions of time and space in archaeology."_ — Visual Studies Journal
-
-## Further Reading
-
-- **Piranesi, G. B.** 1762. _Il Campo Marzio dell'antica Roma_. Rome: Giovanni Battista Piranesi.
-- **Dixon, S.** 2002. _The Sources and Fortunes of Piranesi’s Archaeological Illustrations_. _Art History_, 25(4), pp. 464-487.
+An insightful examination of how Piranesi’s illustrations disrupt traditional perceptions of time and space in archaeology.
 
 <Tags
   tags={[
diff --git a/data/resources/illustrations/DobieEtAl-2010.mdx b/data/resources/illustrations/DobieEtAl-2010.mdx
index 8143a27..1a590e0 100644
--- a/data/resources/illustrations/DobieEtAl-2010.mdx
+++ b/data/resources/illustrations/DobieEtAl-2010.mdx
@@ -7,7 +7,7 @@ authors:
     firstName: 'Christopher'
 year: '2010'
 publisher: 'English Heritage'
-externalLink: ''
+externalLink: 'https://research.historicengland.org.uk/Report.aspx?i=15960'
 reviewsLink: ''
 type: 'Report'
 category: 'Archaeological Illustrations'
@@ -46,18 +46,9 @@ The report is aimed at historians, archaeologists, and those interested in the h
 
 "The work of the Ancient Monuments Drawing Office has been essential in shaping how archaeological sites are recorded and understood. The collaboration between archaeologists and illustrators not only preserves historical data but also interprets it, ensuring that it can be communicated effectively to both specialists and the public."
 
-## Purchase or Access
-
-[Access the report](https://research.historicengland.org.uk/Report.aspx?i=15960)
-
 ## Reviews
 
-- _"A comprehensive and engaging account of the often overlooked role of illustrators in archaeology."_ — Heritage Journal
-
-## Further Reading
-
-- **Piggott, S.** 1978. _Antiquity Depicted: Aspects of Archaeological Illustration_. London: Thames & Hudson.
-- **Graves, P.** 1990. _Illustrating Archaeology: A Guide to Graphic Production_. London: British Museum Press.
+A comprehensive and engaging account of the often overlooked role of illustrators in archaeology.
 
 <Tags
   tags={[
diff --git a/data/resources/illustrations/DouglassEtAl-2019.mdx b/data/resources/illustrations/DouglassEtAl-2019.mdx
index cc3e4cd..11ab2cd 100644
--- a/data/resources/illustrations/DouglassEtAl-2019.mdx
+++ b/data/resources/illustrations/DouglassEtAl-2019.mdx
@@ -13,7 +13,7 @@ authors:
     firstName: 'Douglas'
 year: '2019'
 publisher: 'Affordances in Archaeological Practice'
-externalLink: ''
+externalLink: 'https://doi.org/10.5334/aa.179'
 reviewsLink: ''
 type: 'Article'
 category: 'Virtual Reconstruction'
@@ -51,18 +51,9 @@ This article is aimed at archaeologists, digital heritage professionals, and res
 
 "Virtual reconstructions allow archaeologists to visualize and interpret landscapes in ways that are not possible with traditional methods. These models create new opportunities for observation and analysis, bridging the gap between physical sites and digital representations."
 
-## Purchase or Access
-
-[Read the article](https://doi.org/10.5334/aa.179)
-
 ## Reviews
 
-- _"A forward-thinking approach to archaeological reconstruction that embraces the potential of virtual environments to enhance both observation and interpretation."_ — Journal of Digital Archaeology
-
-## Further Reading
-
-- **Galeazzi, F.** 2018. _3-D Virtual Replicas and Simulations of the Past_. Current Anthropology, 59(3), pp. 277–298.
-- **Ahmed, N. et al.** 2014. _Sustainable Archaeology Through Progressive Assembly 3D Digitization_. World Archaeology, 46(1), pp. 137–154.
+A forward-thinking approach to archaeological reconstruction that embraces the potential of virtual environments to enhance both observation and interpretation.
 
 <Tags
   tags={[
diff --git a/data/resources/illustrations/DryerEtAl-2009.mdx b/data/resources/illustrations/DryerEtAl-2009.mdx
index 85acdfd..fbf43ce 100644
--- a/data/resources/illustrations/DryerEtAl-2009.mdx
+++ b/data/resources/illustrations/DryerEtAl-2009.mdx
@@ -57,14 +57,14 @@ The paper is highly relevant for fields involving artefact illustration and arch
 
 ## Benefits of the Resource
 
-- **Accuracy and Scalability**: Digital vector rendering is described as offering precision in capturing flake scars and silhouette profiles.
-- **Enhanced Legibility**: The standardised conventions enable comparison across illustrations, aiding in the analytical process.
-- **Methodological Versatility**: Dryer and Mazierski’s digital approach is adaptable and allows integration with traditional pen-and-ink techniques if desired.
+- Accuracy and Scalability: Digital vector rendering is described as offering precision in capturing flake scars and silhouette profiles.
+- Enhanced Legibility: The standardised conventions enable comparison across illustrations, aiding in the analytical process.
+- Methodological Versatility: Dryer and Mazierski’s digital approach is adaptable and allows integration with traditional pen-and-ink techniques if desired.
 
 ## Limitations of the Resource
 
-- **Technical Skill Requirement**: Familiarity with digital vector programs and techniques is necessary, which could be a barrier for individuals with traditional illustration training.
-- **Software Dependence**: The approach relies on access to professional digital graphics software, which may not be universally available.
+- Technical Skill Requirement: Familiarity with digital vector programs and techniques is necessary, which could be a barrier for individuals with traditional illustration training.
+- Software Dependence: The approach relies on access to professional digital graphics software, which may not be universally available.
 
 ## Practical Exercises or Case Studies Included
 
@@ -72,14 +72,6 @@ The article includes practical instructions on creating digital renderings of ar
 
 ## Reviews
 
-There are currently no additional reviews directly linked to this article.
-
-## Further Reading
-
-- Addington, L.R. (1986). _Lithic Illustration: Drawing Flaked Stone Artifacts for Publication._ University of Chicago Press.
-- Griffiths, N. (1990). _Drawing Archaeological Finds: A Handbook._ Archetype Publications.
-- Martingell, H., & Saville, A. (1988). _The Illustration of Lithic Artefacts: A Guide to Drawing Stone Tools for Specialist Reports._ Lithics Studies Society.
-
 <Tags
   tags={[
     'digital illustration',
diff --git a/data/resources/illustrations/EboleseEtAl-2017.mdx b/data/resources/illustrations/EboleseEtAl-2017.mdx
index 4a8411b..3af7134 100644
--- a/data/resources/illustrations/EboleseEtAl-2017.mdx
+++ b/data/resources/illustrations/EboleseEtAl-2017.mdx
@@ -9,7 +9,7 @@ authors:
     firstName: 'Antonio'
 year: '2017'
 publisher: 'Geomatics & Restoration'
-externalLink: ''
+externalLink: 'https://www.mdpi.com/2073-8994/geomatics-42-0573'
 reviewsLink: ''
 type: 'Article'
 category: '3D Modeling'
@@ -23,7 +23,7 @@ hidden: true
 
 ## Abstract
 
-This article by Domenico Ebolese, Marco Brutto, and Antonio Burgio presents a case study on the 3D modeling of two louteria (ancient Greek basins) fragments using an image-based approach. Published in _Geomatics & Restoration_, the paper details the process of creating accurate 3D models from photographic data, highlighting the use of photogrammetry for the preservation and study of delicate cultural heritage artifacts.
+This article by Domenico Ebolese, Marco Brutto, and Antonio Burgio presents a case study on the 3D modeling of two louteria (ancient Greek basins) fragments using an image-based approach. Published in "Geomatics & Restoration", the paper details the process of creating accurate 3D models from photographic data, highlighting the use of photogrammetry for the preservation and study of delicate cultural heritage artifacts.
 
 ## Purpose and Audience
 
@@ -41,18 +41,9 @@ This article is intended for archaeologists, cultural heritage professionals, an
 
 "Using photogrammetry to create 3D models of fragile artifacts offers a non-invasive method of documentation and analysis, ensuring the preservation of cultural heritage while providing detailed visual data for further research."
 
-## Purchase or Access
-
-[Read the article](https://www.mdpi.com/2073-8994/geomatics-42-0573)
-
 ## Reviews
 
-- _"Ebolese et al.'s work demonstrates the effectiveness of image-based 3D modeling in the field of artifact restoration, offering a valuable method for studying delicate archaeological objects."_ — Journal of Cultural Heritage
-
-## Further Reading
-
-- **Bruno, F. et al.** 2016. _3D Acquisition, Modeling, and Digital Representation of Cultural Heritage for Conservation Purposes_. Journal of Cultural Heritage, 21, pp. 22–32.
-- **Dey, S.** 2018. _Potential and Limitations of 3D Digital Methods Applied to Ancient Cultural Heritage_. In Kelly, K. & Wood, R. (eds), _Digital Imaging of Artefacts_. Oxford: Archaeopress, pp. 5–35.
+Ebolese et al.'s work demonstrates the effectiveness of image-based 3D modeling in the field of artifact restoration, offering a valuable method for studying delicate archaeological objects.
 
 <Tags
   tags={[
diff --git a/data/resources/illustrations/Fantini-2008.mdx b/data/resources/illustrations/Fantini-2008.mdx
index 718a468..80336b1 100644
--- a/data/resources/illustrations/Fantini-2008.mdx
+++ b/data/resources/illustrations/Fantini-2008.mdx
@@ -26,7 +26,7 @@ hidden: true
 
 ## Abstract
 
-In this article, Massimo Fantini explores the 3D restitution, restoration, and prototyping of a medieval damaged skull using rapid prototyping technologies. Published in the _Rapid Prototyping Journal_, the paper discusses how 3D scanning, modeling, and printing technologies are used to reconstruct and restore the skull, offering new methods for preserving archaeological finds and studying historical remains.
+In this article, Massimo Fantini explores the 3D restitution, restoration, and prototyping of a medieval damaged skull using rapid prototyping technologies. Published in the "Rapid Prototyping Journal", the paper discusses how 3D scanning, modeling, and printing technologies are used to reconstruct and restore the skull, offering new methods for preserving archaeological finds and studying historical remains.
 
 ## Purpose and Audience
 
@@ -44,18 +44,9 @@ This article is aimed at archaeologists, forensic anthropologists, and digital h
 
 "Rapid prototyping allows archaeologists and anthropologists to digitally restore damaged artifacts and remains, creating physical models that can be used for research, display, and further analysis without damaging the original object."
 
-## Purchase or Access
-
-[Read the article](https://www.emerald.com/insight/content/doi/10.1108/13552540810907903/full/html)
-
 ## Reviews
 
-- _"Fantini's article presents a fascinating case study in how rapid prototyping technologies can be applied to archaeological restoration, offering new methods for both preservation and research."_ — Journal of Digital Heritage
-
-## Further Reading
-
-- **Ahmed, N. et al.** 2014. _Sustainable Archaeology Through Progressive Assembly 3D Digitization_. World Archaeology, 46(1), pp. 137–154.
-- **Ebolese, D. et al.** 2017. _3D Modeling of Two Louteria Fragments by Image-Based Approach_. Geomatics & Restoration, (42), pp. 573–580.
+Fantini's article presents a fascinating case study in how rapid prototyping technologies can be applied to archaeological restoration, offering new methods for both preservation and research.
 
 <Tags
   tags={[
diff --git a/data/resources/illustrations/FosterEtAl-2016.mdx b/data/resources/illustrations/FosterEtAl-2016.mdx
index f00d886..b815d29 100644
--- a/data/resources/illustrations/FosterEtAl-2016.mdx
+++ b/data/resources/illustrations/FosterEtAl-2016.mdx
@@ -28,7 +28,7 @@ hidden: true
 
 ## Abstract
 
-This article by Sally Foster and Neil Curtis explores the significance of historic replicas in archaeology and museums, arguing that replicas play a crucial role in cultural heritage preservation and interpretation. Published in the _European Journal of Archaeology_, the article discusses how replicas can serve as proxies for original objects, allowing for both public engagement and the preservation of fragile artifacts. The authors emphasize the ongoing relevance of replicas in the digital age, where 3D printing and virtual replicas are becoming increasingly common.
+This article by Sally Foster and Neil Curtis explores the significance of historic replicas in archaeology and museums, arguing that replicas play a crucial role in cultural heritage preservation and interpretation. Published in the "European Journal of Archaeology", the article discusses how replicas can serve as proxies for original objects, allowing for both public engagement and the preservation of fragile artifacts. The authors emphasize the ongoing relevance of replicas in the digital age, where 3D printing and virtual replicas are becoming increasingly common.
 
 ## Purpose and Audience
 
@@ -46,18 +46,9 @@ This article is intended for archaeologists, museum professionals, and cultural
 
 "Replicas are more than mere copies of original objects; they carry their own cultural significance, serving as tools for education, preservation, and public engagement. In the context of heritage management, replicas ensure that fragile or endangered artifacts remain accessible to future generations."
 
-## Purchase or Access
-
-[Read the article](https://www.tandfonline.com/doi/full/10.1179/1461957115Y.0000000012)
-
 ## Reviews
 
-- _"Foster and Curtis provide a compelling argument for the ongoing relevance of replicas in archaeology, bridging the gap between physical and digital preservation."_ — Journal of Cultural Heritage Studies
-
-## Further Reading
-
-- **Bruno, F. et al.** 2016. _3D Acquisition, Modeling, and Digital Representation of Cultural Heritage for Conservation Purposes_. Journal of Cultural Heritage, 21, pp. 22–32.
-- **Galeazzi, F.** 2018. _3-D Virtual Replicas and Simulations of the Past_. Current Anthropology, 59(3), pp. 268–286.
+Foster and Curtis provide a compelling argument for the ongoing relevance of replicas in archaeology, bridging the gap between physical and digital preservation.
 
 <Tags
   tags={[
diff --git a/data/resources/illustrations/Galeazzi-2018.mdx b/data/resources/illustrations/Galeazzi-2018.mdx
index fe52082..ef57c88 100644
--- a/data/resources/illustrations/Galeazzi-2018.mdx
+++ b/data/resources/illustrations/Galeazzi-2018.mdx
@@ -5,7 +5,7 @@ authors:
     firstName: 'Francesco'
 year: '2018'
 publisher: 'Current Anthropology'
-externalLink: ''
+externalLink: 'https://www.journals.uchicago.edu/doi/full/10.1086/697207'
 reviewsLink: ''
 type: 'Article'
 category: '3D Virtual Replicas'
@@ -44,18 +44,9 @@ This article is aimed at archaeologists, digital heritage professionals, and res
 
 "3D virtual replicas and simulations provide archaeologists with new opportunities to explore and interpret the past. These digital models offer a dynamic way to visualize archaeological evidence, but they also present challenges related to accuracy, accessibility, and data management."
 
-## Purchase or Access
-
-[Read the article](https://www.journals.uchicago.edu/doi/full/10.1086/697207)
-
 ## Reviews
 
-- _"Galeazzi’s article is a comprehensive overview of the potential and challenges of 3D virtual replicas in archaeology, offering valuable insights for both researchers and practitioners."_ — Journal of Digital Archaeology
-
-## Further Reading
-
-- **Foster, S. & Curtis, N.** 2016. _The Thing about Replicas—Why Historic Replicas Matter_. European Journal of Archaeology, 19(1), pp. 122–148.
-- **Bruno, F. et al.** 2016. _3D Acquisition, Modeling, and Digital Representation of Cultural Heritage for Conservation Purposes_. Journal of Cultural Heritage, 21, pp. 22–32.
+Galeazzi’s article is a comprehensive overview of the potential and challenges of 3D virtual replicas in archaeology, offering valuable insights for both researchers and practitioners.
 
 <Tags
   tags={[
diff --git a/data/resources/illustrations/Garstki-2017.mdx b/data/resources/illustrations/Garstki-2017.mdx
index 201e75c..ebc5318 100644
--- a/data/resources/illustrations/Garstki-2017.mdx
+++ b/data/resources/illustrations/Garstki-2017.mdx
@@ -5,7 +5,7 @@ authors:
     firstName: 'Kelsey'
 year: '2017'
 publisher: 'Journal of Archaeological Method and Theory'
-externalLink: ''
+externalLink: 'https://link.springer.com/article/10.1007/s10816-016-9292-2'
 reviewsLink: ''
 type: 'Article'
 category: '3D Digital Artefacts'
@@ -44,18 +44,9 @@ This article is aimed at archaeologists, cultural heritage professionals, and di
 
 "Virtual representations allow archaeologists to interact with digital artifacts in ways that enhance both scholarly research and public engagement. However, the production of these 3D models requires careful consideration of accuracy, context, and interpretive choices."
 
-## Purchase or Access
-
-[Read the article](https://link.springer.com/article/10.1007/s10816-016-9292-2)
-
 ## Reviews
 
-- _"Garstki’s article provides a thoughtful analysis of the use of 3D digital artifacts in archaeology, offering practical insights into the production and application of virtual models."_ — Journal of Digital Heritage
-
-## Further Reading
-
-- **Galeazzi, F.** 2018. _3-D Virtual Replicas and Simulations of the Past_. Current Anthropology, 59(3), pp. 268–286.
-- **Foster, S. & Curtis, N.** 2016. _The Thing about Replicas—Why Historic Replicas Matter_. European Journal of Archaeology, 19(1), pp. 122–148.
+Garstki’s article provides a thoughtful analysis of the use of 3D digital artifacts in archaeology, offering practical insights into the production and application of virtual models.
 
 <Tags
   tags={[
diff --git a/data/resources/illustrations/GarstkiEtAl-2018.mdx b/data/resources/illustrations/GarstkiEtAl-2018.mdx
index dc019af..2bc5761 100644
--- a/data/resources/illustrations/GarstkiEtAl-2018.mdx
+++ b/data/resources/illustrations/GarstkiEtAl-2018.mdx
@@ -9,7 +9,7 @@ authors:
     firstName: 'R. A.'
 year: '2018'
 publisher: 'Midcontinental Journal of Archaeology'
-externalLink: ''
+externalLink: 'https://www.tandfonline.com/doi/full/10.1080/01461109.2018.1449456'
 reviewsLink: ''
 type: 'Article'
 category: 'Digital Photogrammetry'
@@ -30,7 +30,7 @@ hidden: true
 
 ## Abstract
 
-This article, authored by Kelsey Garstki, M. P. Schulenburg, and R. A. Cook, discusses the practical application of digital photogrammetry for archaeological fieldwork, focusing on a case study from the Middle Ohio Valley. Published in the _Midcontinental Journal of Archaeology_, the paper highlights the benefits of using photogrammetry in field settings, providing a detailed account of how 3D models are created from photographic data. The authors explore the use of digital photogrammetry for site documentation, analysis, and interpretation in the context of Midwest archaeology.
+This article, authored by Kelsey Garstki, M. P. Schulenburg, and R. A. Cook, discusses the practical application of digital photogrammetry for archaeological fieldwork, focusing on a case study from the Middle Ohio Valley. Published in the "Midcontinental Journal of Archaeology", the paper highlights the benefits of using photogrammetry in field settings, providing a detailed account of how 3D models are created from photographic data. The authors explore the use of digital photogrammetry for site documentation, analysis, and interpretation in the context of Midwest archaeology.
 
 ## Purpose and Audience
 
@@ -48,18 +48,9 @@ This article is intended for archaeologists, researchers, and digital heritage p
 
 "Digital photogrammetry offers archaeologists an efficient and accurate method of documenting field sites, creating 3D models that provide a detailed record of site features and artifacts for both research and preservation."
 
-## Purchase or Access
-
-[Read the article](https://www.tandfonline.com/doi/full/10.1080/01461109.2018.1449456)
-
 ## Reviews
 
-- _"Garstki et al.’s work provides an excellent example of how digital photogrammetry can be applied to field archaeology, offering practical insights for researchers in the American Midwest."_ — Journal of Archaeological Method and Theory
-
-## Further Reading
-
-- **De Reu, J. et al.** 2013. _Applications of 3D Recording in Archaeological Excavations_. Journal of Archaeological Science, 40(7), pp. 3413–3420.
-- **Bruno, F. et al.** 2016. _3D Acquisition, Modeling, and Digital Representation of Cultural Heritage for Conservation Purposes_. Journal of Cultural Heritage, 21, pp. 22–32.
+Garstki et al.’s work provides an excellent example of how digital photogrammetry can be applied to field archaeology, offering practical insights for researchers in the American Midwest.
 
 <Tags
   tags={[
diff --git a/data/resources/illustrations/Gatt-2019.mdx b/data/resources/illustrations/Gatt-2019.mdx
index 489157d..c96579b 100644
--- a/data/resources/illustrations/Gatt-2019.mdx
+++ b/data/resources/illustrations/Gatt-2019.mdx
@@ -25,7 +25,7 @@ hidden: true
 
 ## Abstract
 
-This blog post by Heritage Gatt explores the integration of manual and digital techniques in 3D archaeological illustration. Published on _Sketchfab_, the article discusses how traditional hand-drawn illustrations can be combined with digital 3D modeling to enhance archaeological documentation and interpretation. The post provides practical insights into how these two approaches complement each other, offering new ways to visualize and communicate archaeological data.
+This blog post by Heritage Gatt explores the integration of manual and digital techniques in 3D archaeological illustration. Published on Sketchfab, the article discusses how traditional hand-drawn illustrations can be combined with digital 3D modeling to enhance archaeological documentation and interpretation. The post provides practical insights into how these two approaches complement each other, offering new ways to visualize and communicate archaeological data.
 
 ## Purpose and Audience
 
@@ -43,18 +43,9 @@ This blog post is aimed at archaeologists, illustrators, and digital heritage pr
 
 "By combining manual drawing techniques with digital 3D modeling, archaeologists can create more nuanced and detailed illustrations, bringing together the best of both worlds to document and interpret the past."
 
-## Purchase or Access
-
-[Read the blog post](https://sketchfab.com/blogs/community/digital-and-manual-archaeological-illustration-techniques-in-3d/)
-
 ## Reviews
 
-- _"Gatt’s blog post offers a practical guide for those looking to integrate manual and digital illustration techniques in archaeology, providing valuable insights into the future of archaeological documentation."_ — Digital Archaeology Review
-
-## Further Reading
-
-- **Foster, S. & Curtis, N.** 2016. _The Thing about Replicas—Why Historic Replicas Matter_. European Journal of Archaeology, 19(1), pp. 122–148.
-- **Garstki, K.** 2017. _Virtual Representation: The Production of 3D Digital Artefacts_. Journal of Archaeological Method and Theory, (24), pp. 726–750.
+Gatt’s blog post offers a practical guide for those looking to integrate manual and digital illustration techniques in archaeology, providing valuable insights into the future of archaeological documentation.
 
 <Tags
   tags={[
diff --git a/data/resources/illustrations/GilboaEtAl-2012.mdx b/data/resources/illustrations/GilboaEtAl-2012.mdx
index 08510fa..7576272 100644
--- a/data/resources/illustrations/GilboaEtAl-2012.mdx
+++ b/data/resources/illustrations/GilboaEtAl-2012.mdx
@@ -63,15 +63,15 @@ The article introduces a system highly relevant to archaeological illustration,
 
 ## Benefits of the Resource
 
-- **Accuracy**: The system offers detailed illustrations that preserve every aspect of the artefact’s morphology.
-- **Efficiency**: Automating artifact illustrations reduces the time and costs involved, allowing researchers to handle large datasets.
-- **Consistency**: Unlike traditional illustrations, which vary by artist, this method offers a standardised approach.
-- **Multiple Visualisation Modes**: 3D line drawing, feature enhancement, and relief extraction all provide different levels of morphological information tailored to specific research needs.
+- Accuracy: The system offers detailed illustrations that preserve every aspect of the artefact’s morphology.
+- Efficiency: Automating artifact illustrations reduces the time and costs involved, allowing researchers to handle large datasets.
+- Consistency: Unlike traditional illustrations, which vary by artist, this method offers a standardised approach.
+- Multiple Visualisation Modes: 3D line drawing, feature enhancement, and relief extraction all provide different levels of morphological information tailored to specific research needs.
 
 ## Limitations of the Resource
 
-- **Technical Complexity**: Implementation requires specialised equipment and expertise in 3D scanning and software.
-- **Dependence on Hardware**: Access to a high-resolution 3D scanner and processing software is essential, which may be a barrier in some field projects.
+- Technical Complexity: Implementation requires specialised equipment and expertise in 3D scanning and software.
+- Dependence on Hardware: Access to a high-resolution 3D scanner and processing software is essential, which may be a barrier in some field projects.
 
 ## Practical Exercises or Case Studies Included
 
@@ -79,14 +79,6 @@ The article illustrates the application of the D.o.R system on various types of
 
 ## Reviews
 
-No additional reviews are cited for this resource.
-
-## Further Reading
-
-- Karasik, A., & Smilansky, U. (2008). _3D Scanning Technology as a Standard Archaeological Tool for Pottery Analysis._ Journal of Archaeological Science, 35, 1148–1168.
-- Gooding, D. (2008). _Envisioning Explanation: The Art in Science._ In Frischer, B., & Dakouri-Hild, A. (Eds.), Beyond Illustration: 2D and 3D Digital Technologies in Archaeology. BAR International Series.
-- Adkins, L. & Adkins, R. (1989). _Archaeological Illustration._ Cambridge University Press.
-
 <Tags
   tags={[
     '3D scanning',
diff --git a/data/resources/illustrations/Goddard-2000.mdx b/data/resources/illustrations/Goddard-2000.mdx
index e798022..113f865 100644
--- a/data/resources/illustrations/Goddard-2000.mdx
+++ b/data/resources/illustrations/Goddard-2000.mdx
@@ -52,14 +52,14 @@ Goddard’s article is highly relevant for those interested in archaeological il
 
 ## Benefits of the Resource
 
-- **Historical Context**: The article presents a rich historical perspective on archaeological illustration and its evolution, reflecting on early 20th-century practices.
-- **Best Practices in Illustration**: By highlighting Gurd’s meticulous style, Goddard’s article indirectly outlines best practices in documenting artefacts through line drawing.
-- **Advocacy for Line Illustration**: The text provides a strong argument for retaining traditional line drawing techniques, even as digital methods advance.
+- Historical Context: The article presents a rich historical perspective on archaeological illustration and its evolution, reflecting on early 20th-century practices.
+- Best Practices in Illustration: By highlighting Gurd’s meticulous style, Goddard’s article indirectly outlines best practices in documenting artefacts through line drawing.
+- Advocacy for Line Illustration: The text provides a strong argument for retaining traditional line drawing techniques, even as digital methods advance.
 
 ## Limitations of the Resource
 
-- **Focus on Traditional Methods**: While it acknowledges technological changes, the article’s focus on traditional illustration may limit its appeal for those interested exclusively in modern digital techniques.
-- **Region-Specific Focus**: Gurd’s work is primarily tied to Sussex archaeology, so readers seeking a broader international perspective may find the regional focus somewhat restrictive.
+- Focus on Traditional Methods: While it acknowledges technological changes, the article’s focus on traditional illustration may limit its appeal for those interested exclusively in modern digital techniques.
+- Region-Specific Focus: Gurd’s work is primarily tied to Sussex archaeology, so readers seeking a broader international perspective may find the regional focus somewhat restrictive.
 
 ## Practical Exercises or Case Studies Included
 
@@ -67,14 +67,6 @@ The article offers descriptive case studies of Gurd’s illustrations for artefa
 
 ## Reviews
 
-No further reviews are directly cited in this document.
-
-## Further Reading
-
-- Piggott, S. (1965). _Archaeological Draughtsmanship: Principles and Retrospect._ Antiquity.
-- Hamilton, S. (1996). _Reassessing Archaeological Illustration: Breaking the Mould._ Graphic Archaeology.
-- Pitt-Rivers, A. (1890). _King John’s House, Tollard Royal, Wilts._ Privately published.
-
 <Tags
   tags={[
     'archaeological illustration',
diff --git a/data/resources/illustrations/GoddardEtAl-1997.mdx b/data/resources/illustrations/GoddardEtAl-1997.mdx
index f4e6e45..eadf1ae 100644
--- a/data/resources/illustrations/GoddardEtAl-1997.mdx
+++ b/data/resources/illustrations/GoddardEtAl-1997.mdx
@@ -44,18 +44,9 @@ This report is designed for archaeologists, illustrators, and researchers workin
 
 "Illustrating prehistoric pottery is a task that requires both accuracy and an understanding of the cultural and historical context. Each piece of pottery tells a story, and it is the illustrator's role to ensure that this story is conveyed visually with precision."
 
-## Purchase or Access
-
-[Access the report](https://www.archaeologicalillustrators.org/publications)
-
 ## Reviews
 
-- _"An essential resource for anyone involved in illustrating pottery in archaeological reports. It provides clear guidelines and showcases best practices in the field."_ — Archaeological Review
-
-## Further Reading
-
-- **Riley, H.** 1991. _Ceramics and Society: An Illustrated Guide to Pottery in Prehistory_. Oxford: Oxford University Press.
-- **Rice, P. M.** 1987. _Pottery Analysis: A Sourcebook_. Chicago: University of Chicago Press.
+An essential resource for anyone involved in illustrating pottery in archaeological reports. It provides clear guidelines and showcases best practices in the field.
 
 <Tags
   tags={[
diff --git a/data/resources/illustrations/GriffithsEtAl-1990.mdx b/data/resources/illustrations/GriffithsEtAl-1990.mdx
index 2bc0392..321ce48 100644
--- a/data/resources/illustrations/GriffithsEtAl-1990.mdx
+++ b/data/resources/illustrations/GriffithsEtAl-1990.mdx
@@ -71,12 +71,6 @@ The book includes detailed, practical examples for illustrating artefacts, offer
 
 This guide is frequently recommended in archaeology courses for its clarity and comprehensive coverage of illustration techniques.
 
-## Further Reading
-
-- Martingell, H., & Saville, A. (1988). _The Illustration of Lithic Artefacts_.
-- Piggott, S. (1978). _Antiquity Depicted: Aspects of Archaeological Illustration_.
-- Steiner, M. (2005). _Approaches to Archaeological Illustration_.
-
 <Tags
   tags={[
     'Artefact Illustration',
diff --git a/data/resources/illustrations/Hameeuw-2018.mdx b/data/resources/illustrations/Hameeuw-2018.mdx
index ca8dea6..40ab916 100644
--- a/data/resources/illustrations/Hameeuw-2018.mdx
+++ b/data/resources/illustrations/Hameeuw-2018.mdx
@@ -5,7 +5,7 @@ authors:
     firstName: 'Henk'
 year: '2018'
 publisher: 'Archaeopress'
-externalLink: ''
+externalLink: 'https://archaeopress.com/ArchaeopressShop/Public/displayProductDetail.asp?id=%7B1903D7EB-97A3-4459-BF73-7957F1A7F566%7D'
 reviewsLink: ''
 type: 'Book Chapter'
 category: 'Digital Imaging'
@@ -44,18 +44,9 @@ This chapter is intended for archaeologists, conservators, and digital heritage
 
 "Lighting plays a critical role in capturing the true colors and relief of small artifacts like seals and coins. By adjusting light angles and spectra, digital imaging can provide more accurate representations of these objects, aiding in their analysis and interpretation."
 
-## Purchase or Access
-
-[Buy the book](https://archaeopress.com/ArchaeopressShop/Public/displayProductDetail.asp?id=%7B1903D7EB-97A3-4459-BF73-7957F1A7F566%7D)
-
 ## Reviews
 
-- _"Hameeuw’s chapter provides a valuable resource for those working with digital imaging of small artifacts, offering detailed guidance on the use of lighting to enhance both color and relief representation."_ — Journal of Digital Heritage
-
-## Further Reading
-
-- **Dey, S.** 2018. _Potential and Limitations of 3D Digital Methods Applied to Ancient Cultural Heritage_. In Kelly, K. & Wood, R. (eds), _Digital Imaging of Artefacts_. Oxford: Archaeopress, pp. 5–35.
-- **Ebolese, D. et al.** 2017. _3D Modeling of Two Louteria Fragments by Image-Based Approach_. Geomatics & Restoration, (42), pp. 573–580.
+Hameeuw’s chapter provides a valuable resource for those working with digital imaging of small artifacts, offering detailed guidance on the use of lighting to enhance both color and relief representation.
 
 <Tags
   tags={[
diff --git a/data/resources/illustrations/Hamilton-1996.mdx b/data/resources/illustrations/Hamilton-1996.mdx
index 49a4f6e..e7cfe46 100644
--- a/data/resources/illustrations/Hamilton-1996.mdx
+++ b/data/resources/illustrations/Hamilton-1996.mdx
@@ -52,14 +52,14 @@ This work is highly relevant for archaeological illustrators and report writers.
 
 ## Benefits of the Resource
 
-- **Critical Insight**: Hamilton's perspective encourages archaeologists to rethink traditional layouts and consider illustrations as interpretative tools.
-- **Practical Suggestions**: Recommendations include annotating illustrations with context information, using flexible scales, and presenting artefacts alongside their contextual artefacts.
-- **Encouragement of Innovation**: The article encourages breaking away from the restrictive conventions that have dominated archaeological illustration for decades.
+- Critical Insight: Hamilton's perspective encourages archaeologists to rethink traditional layouts and consider illustrations as interpretative tools.
+- Practical Suggestions: Recommendations include annotating illustrations with context information, using flexible scales, and presenting artefacts alongside their contextual artefacts.
+- Encouragement of Innovation: The article encourages breaking away from the restrictive conventions that have dominated archaeological illustration for decades.
 
 ## Limitations of the Resource
 
-- **Focus on British Prehistory**: The article’s focus on British prehistoric pottery may limit its direct applicability to other regions or types of artefacts.
-- **Implementation Challenges**: While Hamilton advocates innovative practices, these may increase costs or complexity for publications with limited resources.
+- Focus on British Prehistory: The article’s focus on British prehistoric pottery may limit its direct applicability to other regions or types of artefacts.
+- Implementation Challenges: While Hamilton advocates innovative practices, these may increase costs or complexity for publications with limited resources.
 
 ## Practical Exercises or Case Studies Included
 
@@ -67,14 +67,6 @@ Hamilton provides case examples of pottery illustrations, including annotated il
 
 ## Reviews
 
-No additional reviews are included in this article.
-
-## Further Reading
-
-- Tilley, C. (1989). _Excavation as Theatre: A Review of Excavation Practices._ Antiquity.
-- Barker, P. (1979). _Techniques of Archaeological Excavation._ Routledge.
-- Griffiths, N., et al. (1990). _Drawing Archaeological Finds._ Archetype Publications.
-
 <Tags
   tags={[
     'archaeological illustration',
diff --git a/data/resources/illustrations/HamiltonEtAl-1992.mdx b/data/resources/illustrations/HamiltonEtAl-1992.mdx
index a132501..87c535c 100644
--- a/data/resources/illustrations/HamiltonEtAl-1992.mdx
+++ b/data/resources/illustrations/HamiltonEtAl-1992.mdx
@@ -63,14 +63,14 @@ This document is a highly practical resource for ceramic analysis in archaeology
 
 ## Benefits of the Resource
 
-- **Standardisation**: Establishes a consistent methodology, enabling cross-project comparison.
-- **Comprehensive Detail**: Covers every aspect of pottery analysis, from fabric composition to post-excavation storage.
-- **Clear Framework for Analysis**: Assists analysts in constructing robust datasets that enhance the understanding of prehistoric pottery production and distribution.
+- Standardisation: Establishes a consistent methodology, enabling cross-project comparison.
+- Comprehensive Detail: Covers every aspect of pottery analysis, from fabric composition to post-excavation storage.
+- Clear Framework for Analysis: Assists analysts in constructing robust datasets that enhance the understanding of prehistoric pottery production and distribution.
 
 ## Limitations of the Resource
 
-- **Focus on British Context**: While thorough for British prehistoric ceramics, the guidelines may not fully apply to other regions without modifications.
-- **Resource-Intensive**: The comprehensive detail may require more time and resources than are available for smaller projects or preliminary studies.
+- Focus on British Context: While thorough for British prehistoric ceramics, the guidelines may not fully apply to other regions without modifications.
+- Resource-Intensive: The comprehensive detail may require more time and resources than are available for smaller projects or preliminary studies.
 
 ## Practical Exercises or Case Studies Included
 
@@ -78,14 +78,6 @@ The paper does not include hands-on exercises but offers extensive examples and
 
 ## Reviews
 
-No reviews are directly cited within the document.
-
-## Further Reading
-
-- Orton, C. (1980). _Mathematics in Archaeology._ Cambridge University Press.
-- Rye, O. S. (1981). _Pottery Technology: Principles and Reconstruction._ Taraxacum.
-- Peacock, D.P.S. (1977). _Pottery and Early Commerce: Characterisation and Trade in Roman and Later Ceramics._ Academic Press.
-
 <Tags
   tags={[
     'prehistoric pottery',
diff --git a/data/resources/illustrations/HamiltonEtAl-2022.mdx b/data/resources/illustrations/HamiltonEtAl-2022.mdx
index fa539b2..b509a74 100644
--- a/data/resources/illustrations/HamiltonEtAl-2022.mdx
+++ b/data/resources/illustrations/HamiltonEtAl-2022.mdx
@@ -44,7 +44,7 @@ This guide is aimed at archaeologists, illustrators, and students who need to il
 
 ## Key Excerpt
 
-> “Illustrating prehistoric pottery is about accurately capturing surface decoration and form, which can inform understanding of ancient technologies and aesthetics.” (p. 3)&#8203;:contentReference[oaicite:0]{index=0}.
+“Illustrating prehistoric pottery is about accurately capturing surface decoration and form, which can inform understanding of ancient technologies and aesthetics.” (p. 3)
 
 ## Difficulty Level
 
@@ -70,12 +70,6 @@ The guide includes practical advice and illustrative steps but lacks formal exer
 
 This guide is highly valued within the archaeological community, particularly among those specialising in prehistoric artefacts, for its detailed approach to documenting pottery in a way that supports academic and field research.
 
-## Further Reading
-
-- Griffiths, N., Jenner, A., & Wilson, C. (1991). _Drawing Archaeological Finds: A Handbook_.
-- Martingell, H., & Saville, A. (1988). _The Illustration of Lithic Artefacts_.
-- Adkins, L., & Adkins, R.A. (1989). _Archaeological Illustration_.
-
 <Tags
   tags={[
     'Prehistoric Pottery',
diff --git a/data/resources/illustrations/HarrowerEtAl-2014.mdx b/data/resources/illustrations/HarrowerEtAl-2014.mdx
index 7e1161e..15edd41 100644
--- a/data/resources/illustrations/HarrowerEtAl-2014.mdx
+++ b/data/resources/illustrations/HarrowerEtAl-2014.mdx
@@ -21,7 +21,7 @@ authors:
     firstName: 'Elizabeth'
 year: '2014'
 publisher: 'World Archaeology'
-externalLink: ''
+externalLink: 'https://www.tandfonline.com/doi/full/10.1080/00438243.2013.860256'
 reviewsLink: ''
 type: 'Article'
 category: '3D Modelling'
@@ -34,7 +34,7 @@ hidden: true
 
 ## Abstract
 
-This article by Michael J. Harrower and colleagues presents a detailed case study on the use of 3D modeling to digitally reconstruct a Bronze Age tower in Oman. Published in _World Archaeology_, the paper explores how digital models were created to visualize the structure and analyze its archaeological significance. The authors discuss the benefits of 3D technologies in providing new insights into architectural features that are not always evident through traditional archaeological methods.
+This article by Michael J. Harrower and colleagues presents a detailed case study on the use of 3D modeling to digitally reconstruct a Bronze Age tower in Oman. Published in "World Archaeology", the paper explores how digital models were created to visualize the structure and analyze its archaeological significance. The authors discuss the benefits of 3D technologies in providing new insights into architectural features that are not always evident through traditional archaeological methods.
 
 ## Purpose and Audience
 
@@ -52,18 +52,9 @@ This article is aimed at archaeologists, digital heritage professionals, and res
 
 "3D modeling offers archaeologists the ability to visualize and interpret architectural structures in ways that would not be possible through traditional excavation alone. In the case of the Bronze Age tower in Oman, digital models provided new insights into its construction and use."
 
-## Purchase or Access
-
-[Read the article](https://www.tandfonline.com/doi/full/10.1080/00438243.2013.860256)
-
 ## Reviews
 
-- _"Harrower et al.'s article showcases the potential of 3D modeling for reconstructing ancient structures, offering valuable insights into the role of digital technologies in archaeological research."_ — Journal of Digital Archaeology
-
-## Further Reading
-
-- **Galeazzi, F.** 2018. _3-D Virtual Replicas and Simulations of the Past_. Current Anthropology, 59(3), pp. 268–286.
-- **Bruno, F. et al.** 2016. _3D Acquisition, Modeling, and Digital Representation of Cultural Heritage for Conservation Purposes_. Journal of Cultural Heritage, 21, pp. 22–32.
+Harrower et al.'s article showcases the potential of 3D modeling for reconstructing ancient structures, offering valuable insights into the role of digital technologies in archaeological research.
 
 <Tags
   tags={['3D modelling', 'Bronze Age', 'Oman', 'archaeology', 'digital archaeology', 'towers']}
diff --git a/data/resources/illustrations/HaukaasEtAl-2016.mdx b/data/resources/illustrations/HaukaasEtAl-2016.mdx
index fe7fabf..fb17dc0 100644
--- a/data/resources/illustrations/HaukaasEtAl-2016.mdx
+++ b/data/resources/illustrations/HaukaasEtAl-2016.mdx
@@ -7,7 +7,7 @@ authors:
     firstName: 'Lisa M.'
 year: '2016'
 publisher: 'Journal of Community Archaeology & Heritage'
-externalLink: ''
+externalLink: 'https://www.tandfonline.com/doi/full/10.1080/20518196.2016.1147742'
 reviewsLink: ''
 type: 'Article'
 category: 'Photogrammetry'
@@ -46,18 +46,9 @@ This article is aimed at archaeologists, heritage professionals, and community g
 
 "Low-cost photogrammetry offers an accessible and affordable solution for archaeological documentation, making it possible for community groups to participate in preserving their heritage. This case study demonstrates the potential of digital methods to engage local communities in archaeological research."
 
-## Purchase or Access
-
-[Read the article](https://www.tandfonline.com/doi/full/10.1080/20518196.2016.1147742)
-
 ## Reviews
 
-- _"Haukaas and Hodgetts provide a compelling case for the use of low-cost photogrammetry in community archaeology, demonstrating the potential of digital tools to enhance heritage preservation and local engagement."_ — Journal of Community Heritage Studies
-
-## Further Reading
-
-- **Garstki, K.** 2018. _Practical Application of Digital Photogrammetry for Fieldwork in the American Midwest: An Example from the Middle Ohio Valley_. Midcontinental Journal of Archaeology, 43(2), pp. 133–150.
-- **Bruno, F. et al.** 2016. _3D Acquisition, Modeling, and Digital Representation of Cultural Heritage for Conservation Purposes_. Journal of Cultural Heritage, 21, pp. 22–32.
+Haukaas and Hodgetts provide a compelling case for the use of low-cost photogrammetry in community archaeology, demonstrating the potential of digital tools to enhance heritage preservation and local engagement.
 
 <Tags
   tags={[
diff --git a/data/resources/illustrations/HindmarchEtAl-2019.mdx b/data/resources/illustrations/HindmarchEtAl-2019.mdx
index e836223..2b535b3 100644
--- a/data/resources/illustrations/HindmarchEtAl-2019.mdx
+++ b/data/resources/illustrations/HindmarchEtAl-2019.mdx
@@ -9,7 +9,7 @@ authors:
     firstName: 'Stuart'
 year: '2019'
 publisher: 'Routledge'
-externalLink: ''
+externalLink: 'https://www.routledge.com/The-Routledge-International-Handbook-of-New-Digital-Practices-in-Galleries/Lewi-Smith-Cooke-vom-Lehn/p/book/9781138918890'
 reviewsLink: ''
 type: 'Book Chapter'
 category: '3D Digital Reproduction'
@@ -30,7 +30,7 @@ hidden: true
 
 ## Abstract
 
-In this chapter, James Hindmarch, Melissa Terras, and Stuart Robson explore the concept of the "virtual aura" of cultural heritage objects in the age of 3D digital reproduction. Published in _The Routledge International Handbook of New Digital Practices in Galleries, Libraries, Archives, Museums and Heritage Sites_, the chapter discusses how the digital reproduction of artifacts alters their perceived authenticity and value. The authors consider the implications of 3D technologies on the preservation, presentation, and interpretation of cultural heritage.
+In this chapter, James Hindmarch, Melissa Terras, and Stuart Robson explore the concept of the "virtual aura" of cultural heritage objects in the age of 3D digital reproduction. Published in "The Routledge International Handbook of New Digital Practices in Galleries, Libraries, Archives, Museums and Heritage Sites", the chapter discusses how the digital reproduction of artifacts alters their perceived authenticity and value. The authors consider the implications of 3D technologies on the preservation, presentation, and interpretation of cultural heritage.
 
 ## Purpose and Audience
 
@@ -48,18 +48,9 @@ This chapter is aimed at digital heritage professionals, museum curators, and re
 
 "The reproduction of cultural heritage objects in 3D challenges traditional notions of authenticity and aura, creating new ways for audiences to engage with artifacts while raising important questions about the role of digital surrogates in museums and galleries."
 
-## Purchase or Access
-
-[Buy the book](https://www.routledge.com/The-Routledge-International-Handbook-of-New-Digital-Practices-in-Galleries/Lewi-Smith-Cooke-vom-Lehn/p/book/9781138918890)
-
 ## Reviews
 
-- _"Hindmarch, Terras, and Robson offer a thought-provoking analysis of how 3D technologies are reshaping the cultural heritage sector, with valuable insights for museum professionals and digital humanists."_ — Journal of Museum Studies
-
-## Further Reading
-
-- **Foster, S. & Curtis, N.** 2016. _The Thing about Replicas—Why Historic Replicas Matter_. European Journal of Archaeology, 19(1), pp. 122–148.
-- **Galeazzi, F.** 2018. _3-D Virtual Replicas and Simulations of the Past_. Current Anthropology, 59(3), pp. 268–286.
+Hindmarch, Terras, and Robson offer a thought-provoking analysis of how 3D technologies are reshaping the cultural heritage sector, with valuable insights for museum professionals and digital humanists.
 
 <Tags
   tags={[
diff --git a/data/resources/illustrations/Howell-2018.mdx b/data/resources/illustrations/Howell-2018.mdx
index a1a0f63..f66d0f3 100644
--- a/data/resources/illustrations/Howell-2018.mdx
+++ b/data/resources/illustrations/Howell-2018.mdx
@@ -5,7 +5,7 @@ authors:
     firstName: 'David'
 year: '2018'
 publisher: 'Archaeopress'
-externalLink: ''
+externalLink: 'https://archaeopress.com/ArchaeopressShop/Public/displayProductDetail.asp?id=%7B1903D7EB-97A3-4459-BF73-7957F1A7F566%7D'
 reviewsLink: ''
 type: 'Book Chapter'
 category: 'Hyperspectral Imaging'
@@ -44,18 +44,9 @@ This chapter is intended for archaeologists, conservators, and researchers inter
 
 "Hyperspectral imaging allows researchers to capture detailed spectral data that reveals color variations invisible to the naked eye, providing new insights into the materials and techniques used in artifact production."
 
-## Purchase or Access
-
-[Buy the book](https://archaeopress.com/ArchaeopressShop/Public/displayProductDetail.asp?id=%7B1903D7EB-97A3-4459-BF73-7957F1A7F566%7D)
-
 ## Reviews
 
-- "Howell's chapter is a valuable resource for those working with digital imaging technologies in archaeology, offering a comprehensive overview of hyperspectral imaging and its applications for studying artifacts." — Journal of Digital Heritage
-
-## Further Reading
-
-- **Hameeuw, H.** 2018. _Imaging Seals and Coins with Various Light Angles and Spectra: Consequences for Understanding and Representing Colour and Relief_. In: Kelly, K. & Wood, R. (eds), _Digital Imaging of Artefacts_. Oxford: Archaeopress, pp. 101–118.
-- **Dey, S.** 2018. _Potential and Limitations of 3D Digital Methods Applied to Ancient Cultural Heritage_. In: Kelly, K. & Wood, R. (eds), _Digital Imaging of Artefacts_. Oxford: Archaeopress, pp. 5–35.
+Howell's chapter is a valuable resource for those working with digital imaging technologies in archaeology, offering a comprehensive overview of hyperspectral imaging and its applications for studying artifacts.
 
 <Tags
   tags={[
diff --git a/data/resources/illustrations/Ingold-2011.mdx b/data/resources/illustrations/Ingold-2011.mdx
index 097fd6d..7e2fb41 100644
--- a/data/resources/illustrations/Ingold-2011.mdx
+++ b/data/resources/illustrations/Ingold-2011.mdx
@@ -5,7 +5,7 @@ authors:
     firstName: 'Tim' # Editor
 year: '2011'
 publisher: 'Routledge'
-externalLink: ''
+externalLink: 'https://www.routledge.com/Redrawing-Anthropology/Tim-Ingold/p/book/9780415602004'
 reviewsLink: ''
 type: 'Edited Volume'
 category: 'Anthropological Illustrations'
@@ -37,18 +37,8 @@ This book is aimed at anthropologists, ethnographers, artists, and scholars inte
 
 "Drawing is more than a technique for illustration; it is a way of thinking, a process that can reshape our understanding of social worlds. Through drawing, anthropologists can engage with their subjects and environments in new and profound ways."
 
-## Purchase or Access
-
-[Buy the book](https://www.routledge.com/Redrawing-Anthropology/Tim-Ingold/p/book/9780415602004)
-
 ## Reviews
 
-- _"A groundbreaking volume that challenges conventional methods in anthropology by placing drawing at the center of the discipline."_ — Visual Anthropology Review
-  [Read more reviews on Goodreads](https://www.goodreads.com/book/show/12345)
-
-## Further Reading
-
-- **Taussig, M.** 2011. _I Swear I Saw This: Drawings in Fieldwork Notebooks, Namely My Own_. Chicago: University of Chicago Press.
-- **Morphy, H. & Banks, M.** 1997. _Rethinking Visual Anthropology_. London: Yale University Press.
+A groundbreaking volume that challenges conventional methods in anthropology by placing drawing at the center of the discipline.
 
 <Tags tags={['anthropology', 'illustration', 'drawing', 'ethnography', 'visual anthropology']} />
diff --git a/data/resources/illustrations/James-2011.mdx b/data/resources/illustrations/James-2011.mdx
index f5baca4..3b42efe 100644
--- a/data/resources/illustrations/James-2011.mdx
+++ b/data/resources/illustrations/James-2011.mdx
@@ -45,18 +45,9 @@ This chapter is aimed at archaeologists, illustrators, and scholars interested i
 
 "Visual reconstructions are not passive representations of archaeological findings; they actively shape how we think about the past. The choices made by illustrators and archaeologists in crafting these images have significant implications for interpretation and understanding."
 
-## Purchase or Access
-
-[Buy the book](https://www.routledge.com/The-Cultural-Life-of-Images-Visual-Representation-in-Archaeology/Molyneaux/p/book/9780415319267)
-
 ## Reviews
 
-- _"James provides a thought-provoking critique of visual reconstructions in archaeology, emphasizing the need for transparency and reflexivity in the production of these images."_ — Visual Studies Journal
-
-## Further Reading
-
-- **Moser, S.** 2001. _Archaeological Representation: The Visual Conventions for Constructing Knowledge_. In: Hodder, I. (ed.), _Archaeological Theory Today_. Cambridge: Polity Press, pp. 262–283.
-- **Ingold, T.** 2011. _Redrawing Anthropology: Materials, Movements, Lines_. London: Routledge.
+James provides a thought-provoking critique of visual reconstructions in archaeology, emphasizing the need for transparency and reflexivity in the production of these images.
 
 <Tags
   tags={[
diff --git a/data/resources/illustrations/Lewuillon-2002.mdx b/data/resources/illustrations/Lewuillon-2002.mdx
index 0408012..868dd0a 100644
--- a/data/resources/illustrations/Lewuillon-2002.mdx
+++ b/data/resources/illustrations/Lewuillon-2002.mdx
@@ -26,7 +26,7 @@ hidden: true
 
 ## Abstract
 
-Sylvie Lewuillon explores the rise of archaeological illustrations in the 19th century and their significance in the development of modern scientific practices. This article, published in _Antiquity_, highlights how visual representations became a key tool in archaeological research, enabling more detailed documentation and analysis of artifacts. The article provides historical context, tracing how illustration techniques evolved alongside scientific advances in archaeology.
+Sylvie Lewuillon explores the rise of archaeological illustrations in the 19th century and their significance in the development of modern scientific practices. This article, published in "Antiquity", highlights how visual representations became a key tool in archaeological research, enabling more detailed documentation and analysis of artifacts. The article provides historical context, tracing how illustration techniques evolved alongside scientific advances in archaeology.
 
 ## Purpose and Audience
 
@@ -44,18 +44,9 @@ This article is aimed at historians of science, archaeologists, and scholars int
 
 "Archaeological illustrations in the 19th century were more than artistic representations; they were scientific tools that allowed researchers to capture and communicate complex data about ancient artifacts and sites, thereby contributing to the professionalization of archaeology as a discipline."
 
-## Purchase or Access
-
-[Read the article](https://www.cambridge.org/core/journals/antiquity/article/archaeological-illustrations-a-new-development-in-19th-century-science/10.1017/S0003598X00090326)
-
 ## Reviews
 
-- _"Lewuillon's article provides an insightful analysis of the scientific evolution of archaeological illustrations and their impact on 19th-century research."_ — Journal of Archaeological Method and Theory
-
-## Further Reading
-
-- **Piggott, S.** 1978. _Antiquity Depicted: Aspects of Archaeological Illustration_. London: Thames & Hudson.
-- **Moser, S.** 2001. _Archaeological Representation: The Visual Conventions for Constructing Knowledge_. In: Hodder, I. (ed.), _Archaeological Theory Today_. Cambridge: Polity Press, pp. 262–283.
+Lewuillon's article provides an insightful analysis of the scientific evolution of archaeological illustrations and their impact on 19th-century research.
 
 <Tags
   tags={[
diff --git a/data/resources/illustrations/LuoEtAl-2009.mdx b/data/resources/illustrations/LuoEtAl-2009.mdx
index 6869b6d..bf4f7cc 100644
--- a/data/resources/illustrations/LuoEtAl-2009.mdx
+++ b/data/resources/illustrations/LuoEtAl-2009.mdx
@@ -57,14 +57,14 @@ Highly relevant to digital archaeology, this work offers a new solution for effi
 
 ## Benefits of the Resource
 
-- **Efficiency**: Demonstrates a dramatic reduction in time needed for archaeological mapping.
-- **High Precision**: The multi-scale, probabilistic method enhances detail accuracy in line drawings compared to manual techniques.
-- **Noise Reduction**: Offers robust performance against data noise, making it suitable for weathered or eroded artefacts.
+- Efficiency: Demonstrates a dramatic reduction in time needed for archaeological mapping.
+- High Precision: The multi-scale, probabilistic method enhances detail accuracy in line drawings compared to manual techniques.
+- Noise Reduction: Offers robust performance against data noise, making it suitable for weathered or eroded artefacts.
 
 ## Limitations of the Resource
 
-- **Complex Implementation**: Requires specialised knowledge in 3D modelling and machine learning, which could be a barrier for purely archaeology-focused practitioners.
-- **Limited Artistic Control**: The method’s automated nature may lack the interpretative nuance achievable by manual drawing in some cases.
+- Complex Implementation: Requires specialised knowledge in 3D modelling and machine learning, which could be a barrier for purely archaeology-focused practitioners.
+- Limited Artistic Control: The method’s automated nature may lack the interpretative nuance achievable by manual drawing in some cases.
 
 ## Practical Exercises or Case Studies Included
 
@@ -72,14 +72,6 @@ The paper includes experimental results from artefacts at the Longmen Grottoes,
 
 ## Reviews
 
-No additional reviews are directly referenced in this paper.
-
-## Further Reading
-
-- Ikeuchi, K., et al. (2007). _The Great Buddha Project: Digitally Archiving, Restoring, and Analysing Cultural Heritage Objects._ International Journal of Computer Vision.
-- Levoy, M., et al. (2000). _The Digital Michelangelo Project: 3D Scanning of Large Statues._ SIGGRAPH.
-- Yoshizawa, S., Belyaev, A., & Seidel, H.-P. (2005). _Fast and Robust Detection of Crest Lines on Meshes._ ACM Symposium on Solid and Physical Modeling.
-
 <Tags
   tags={[
     '3D line drawing',
diff --git a/data/resources/illustrations/MartingellEtAl-1988.mdx b/data/resources/illustrations/MartingellEtAl-1988.mdx
index 5c4e47d..94d7f12 100644
--- a/data/resources/illustrations/MartingellEtAl-1988.mdx
+++ b/data/resources/illustrations/MartingellEtAl-1988.mdx
@@ -67,12 +67,6 @@ This booklet contains practical, step-by-step techniques rather than formal exer
 
 While no contemporary reviews are included in the booklet, it remains a respected reference among archaeological illustrators and is frequently cited in archaeological literature.
 
-## Further Reading
-
-- Addington, L. (1986). _Lithic Illustration: Drawing Flaked Stone Artefacts for Publication_. University of Chicago Press.
-- Bordaz, J. (1970). _Tools of the Old and New Stone Age_. National History Press.
-- Dauvois, M. (1976). _Techniques de la Pierre Taillee Prehistorique_. CNRS.
-
 <Tags
   tags={[
     'lithic illustration',
diff --git a/data/resources/illustrations/MorganEtAl-2018.mdx b/data/resources/illustrations/MorganEtAl-2018.mdx
index 59d86dc..2a9595c 100644
--- a/data/resources/illustrations/MorganEtAl-2018.mdx
+++ b/data/resources/illustrations/MorganEtAl-2018.mdx
@@ -28,7 +28,7 @@ hidden: true
 
 ## Abstract
 
-In this article, Colleen Morgan and Holly Wright examine the integration of traditional drawing techniques and digital media in archaeological field recording. Published in the _Journal of Field Archaeology_, the paper discusses how the use of pencils (traditional drawing) and pixels (digital media) can complement each other in documenting archaeological sites. The authors evaluate the advantages and limitations of both methods and provide case studies illustrating their application in modern archaeological practice.
+In this article, Colleen Morgan and Holly Wright examine the integration of traditional drawing techniques and digital media in archaeological field recording. Published in the "Journal of Field Archaeology", the paper discusses how the use of pencils (traditional drawing) and pixels (digital media) can complement each other in documenting archaeological sites. The authors evaluate the advantages and limitations of both methods and provide case studies illustrating their application in modern archaeological practice.
 
 ## Purpose and Audience
 
@@ -46,18 +46,9 @@ This article is aimed at archaeologists, illustrators, and digital humanists int
 
 "By combining the precision and immediacy of hand drawing with the scalability and analytical potential of digital media, archaeologists can create more comprehensive and versatile records of archaeological sites. This synthesis of old and new technologies enhances our ability to interpret and present archaeological data."
 
-## Purchase or Access
-
-[Read the article](https://www.tandfonline.com/doi/abs/10.1080/00934690.2018.1434167)
-
 ## Reviews
 
-- _"Morgan and Wright provide an insightful analysis of the intersection between traditional and digital media in archaeological recording, highlighting both their strengths and limitations."_ — Journal of Digital Archaeology
-
-## Further Reading
-
-- **De Reu, J. et al.** 2013. _Applications of 3D Recording in Archaeological Excavations_. Journal of Archaeological Science, 40(7), pp. 3413–3420.
-- **Chadwick, A.** 2012. _Digital Archaeology: Bridging the Gap Between Traditional Field Recording and New Technologies_. Cambridge: Cambridge University Press.
+Morgan and Wright provide an insightful analysis of the intersection between traditional and digital media in archaeological recording, highlighting both their strengths and limitations."
 
 <Tags
   tags={[
diff --git a/data/resources/illustrations/Moser-2014.mdx b/data/resources/illustrations/Moser-2014.mdx
index cb7fca4..f828b2a 100644
--- a/data/resources/illustrations/Moser-2014.mdx
+++ b/data/resources/illustrations/Moser-2014.mdx
@@ -44,18 +44,9 @@ This article is aimed at historians of science, archaeologists, and scholars int
 
 "Images have always been central to the construction of scientific knowledge. In the case of early modern science and antiquarianism, illustrations were not just about visual accuracy, but about conveying authority and expertise, making the image a crucial element in the production of professional knowledge."
 
-## Purchase or Access
-
-[Read the article](https://www.journals.uchicago.edu/doi/abs/10.1086/675549)
-
 ## Reviews
 
-- _"Moser's article is a masterful exploration of the interplay between visual representation and the production of expert knowledge in early science and antiquarianism."_ — Journal of the History of Science
-
-## Further Reading
-
-- **Daston, L. & Galison, P.** 2007. _Objectivity_. New York: Zone Books.
-- **Bredekamp, H.** 2017. _Image Acts: A Systematic Approach to Visual Agency_. Berlin: Walter de Gruyter.
+Moser's article is a masterful exploration of the interplay between visual representation and the production of expert knowledge in early science and antiquarianism.
 
 <Tags
   tags={[
diff --git a/data/resources/illustrations/PerryEtAl-2014.mdx b/data/resources/illustrations/PerryEtAl-2014.mdx
index bdbc4e1..2778c17 100644
--- a/data/resources/illustrations/PerryEtAl-2014.mdx
+++ b/data/resources/illustrations/PerryEtAl-2014.mdx
@@ -46,18 +46,11 @@ This article is aimed at archaeologists, art historians, and scholars interested
 
 "Sorrell’s work exemplifies the delicate balance between creativity and accuracy in archaeological reconstruction. His drawings and paintings not only bring the past to life for the public but also raise important questions about how the archaeological record is negotiated and represented through art."
 
-## Purchase or Access
-
-[Read the article](https://www.cambridge.org/core/journals/antiquaries-journal/article/reconstruction-art-and-disciplinary-practice-alan-sorrell-and-the-negotiation-of-the-archaeological-record/10.1017/S0003581514000710)
+#
 
 ## Reviews
 
-- _"An insightful exploration of how art shapes our understanding of the archaeological record, with a particular focus on Sorrell’s influential work."_ — Journal of Visual Archaeology
-
-## Further Reading
-
-- **Moser, S.** 2014. _Making Expert Knowledge through the Image: Connections Between Antiquarian and Early Modern Scientific Illustration_. _Isis_, 105(1), pp. 58-99.
-- **De Reu, J. et al.** 2013. _Applications of 3D Recording in Archaeological Excavations_. Journal of Archaeological Science, 40(7), pp. 3413–3420.
+An insightful exploration of how art shapes our understanding of the archaeological record, with a particular focus on Sorrell’s influential work.
 
 <Tags
   tags={[
diff --git a/data/resources/illustrations/RaczynskiHenk-2017.mdx b/data/resources/illustrations/RaczynskiHenk-2017.mdx
index 6adba3d..8ec4a77 100644
--- a/data/resources/illustrations/RaczynskiHenk-2017.mdx
+++ b/data/resources/illustrations/RaczynskiHenk-2017.mdx
@@ -82,11 +82,6 @@ The book provides practical drawing exercises but does not include formal case s
 
 While formal reviews are not provided within the book, Drawing Lithic Artefacts has been praised within archaeological illustration circles for its clear, comprehensive approach to a traditionally challenging skill.
 
-## Further Reading
-
-- Martingell, H., & Saville, A. _The Illustration of Lithic Artefacts: A Guide to Drawing Stone Tools for Specialist Reports._ 1988.
-- Addington, L. R. _Lithic Illustration: Drawing Flaked Stone Artifacts for Publication._ 1986.
-
 <Tags
   tags={['lithic illustration', 'stone tools', 'archaeology', 'drawing techniques', 'conventions']}
 />
diff --git a/data/resources/illustrations/Small-2013.mdx b/data/resources/illustrations/Small-2013.mdx
index a4064a1..4fe3156 100644
--- a/data/resources/illustrations/Small-2013.mdx
+++ b/data/resources/illustrations/Small-2013.mdx
@@ -64,11 +64,6 @@ The guide includes two detailed case studies: a medieval bone comb and a clay sm
 
 No formal reviews are provided within the document, but the guide is widely regarded within the archaeological illustration community for its clear integration of digital and traditional approaches to small finds illustration.
 
-## Further Reading
-
-- Steiner, M. (2005). _Approaches to Archaeological Illustration: A Handbook_. Council for British Archaeology.
-- Dobie, J. & Evans, C. (2010). _A History of the Ancient Monuments Drawing Office_. English Heritage.
-
 <Tags
   tags={[
     'Small Finds Illustration',
diff --git a/data/resources/illustrations/Steiner-2005.mdx b/data/resources/illustrations/Steiner-2005.mdx
index a1474fa..6961f80 100644
--- a/data/resources/illustrations/Steiner-2005.mdx
+++ b/data/resources/illustrations/Steiner-2005.mdx
@@ -77,13 +77,7 @@ Each chapter includes practical examples, often with step-by-step descriptions o
 
 ## Reviews
 
-_Approaches to Archaeological Illustration_ is widely respected in the field for its detailed treatment of artefact illustration and is frequently referenced in archaeological and academic settings.
-
-## Further Reading
-
-- Adkins, L., & Adkins, R.A. (1989). _Archaeological Illustration_. Cambridge University Press.
-- Griffiths, N., Jenner, A., & Wilson, C. (1991). _Drawing Archaeological Finds: A Handbook_. UCL.
-- Martingell, H., & Saville, A. (1988). _The Illustration of Lithic Artefacts: A Guide to Drawing Stone Tools for Specialist Reports_.
+"Approaches to Archaeological Illustration" is widely respected in the field for its detailed treatment of artefact illustration and is frequently referenced in archaeological and academic settings.
 
 <Tags
   tags={[
diff --git a/data/resources/illustrations/SterudEtAl-1976.mdx b/data/resources/illustrations/SterudEtAl-1976.mdx
index b4366f4..4f37bbb 100644
--- a/data/resources/illustrations/SterudEtAl-1976.mdx
+++ b/data/resources/illustrations/SterudEtAl-1976.mdx
@@ -39,18 +39,9 @@ This article is aimed at archaeologists, illustrators, and researchers intereste
 
 "Combining photography with line drawing offers the best of both worlds: the precision and detail of a photograph, and the clarity and focus of a hand-drawn illustration. This hybrid technique allows for more effective communication of the artifact’s key features, which can often be lost in one medium alone."
 
-## Purchase or Access
-
-[Read the article](https://www.tandfonline.com/doi/abs/10.1179/009346976791489155)
-
 ## Reviews
 
-- _"Sterud and Bohlin’s article introduces a practical and innovative method for illustrating small finds, offering valuable insights for both archaeologists and illustrators."_ — Journal of Archaeological Method and Theory
-
-## Further Reading
-
-- **Small, T.** 2013. _Archaeological Illustration: Small Finds_. BAJR Practical Guide Series.
-- **Graves, P.** 1990. _Illustrating Archaeology: A Guide to Graphic Production_. London: British Museum Press.
+Sterud and Bohlin’s article introduces a practical and innovative method for illustrating small finds, offering valuable insights for both archaeologists and illustrators.
 
 <Tags
   tags={[
diff --git a/data/resources/illustrations/Taylor-2002.mdx b/data/resources/illustrations/Taylor-2002.mdx
index 730c4a6..bf56c56 100644
--- a/data/resources/illustrations/Taylor-2002.mdx
+++ b/data/resources/illustrations/Taylor-2002.mdx
@@ -77,12 +77,6 @@ Each section provides practical drawing exercises with detailed, step-by-step gu
 
 No formal reviews are included in the document. However, as an educational resource, it is often cited and recommended in academic settings for its clear, step-by-step methodology.
 
-## Further Reading
-
-- Adkins, L., & Adkins, R.A. (1994). _Archaeological Illustration_. Cambridge University Press.
-- Griffiths, N., Jenner, A., & Wilson, C. (1991). _Drawing Archaeological Finds: A Handbook_. UCL.
-- Piggott, S. (1978). _Antiquity Depicted: Aspects of Archaeological Illustration_. Thames and Hudson.
-
 <Tags
   tags={[
     'Archaeological Drawing',
diff --git a/data/resources/illustrations/TilleyEtAl-2000.mdx b/data/resources/illustrations/TilleyEtAl-2000.mdx
index fd96618..6adcd89 100644
--- a/data/resources/illustrations/TilleyEtAl-2000.mdx
+++ b/data/resources/illustrations/TilleyEtAl-2000.mdx
@@ -56,14 +56,14 @@ The work is highly relevant for archaeologists interested in integrating sensory
 
 ## Benefits of the Resource
 
-- **Innovative Approach**: The authors’ interdisciplinary framework opens up new possibilities for experiencing and representing archaeological sites.
-- **Emphasis on Sensory Engagement**: The article highlights methods that encourage archaeologists to engage with the landscape through their senses.
-- **Inspiration from Contemporary Art**: Tilley, Hamilton, and Bender draw from the techniques of environmental artists to create dynamic interactions with prehistoric sites.
+- Innovative Approach: The authors’ interdisciplinary framework opens up new possibilities for experiencing and representing archaeological sites.
+- Emphasis on Sensory Engagement: The article highlights methods that encourage archaeologists to engage with the landscape through their senses.
+- Inspiration from Contemporary Art: Tilley, Hamilton, and Bender draw from the techniques of environmental artists to create dynamic interactions with prehistoric sites.
 
 ## Limitations of the Resource
 
-- **Subjective Interpretation**: The approach may be too interpretative for archaeologists focused on empirical and quantitative methods.
-- **Resource-Intensive**: The methods described, such as large-scale installation and continuous field presence, require considerable resources and may be difficult to replicate in smaller projects.
+- Subjective Interpretation: The approach may be too interpretative for archaeologists focused on empirical and quantitative methods.
+- Resource-Intensive: The methods described, such as large-scale installation and continuous field presence, require considerable resources and may be difficult to replicate in smaller projects.
 
 ## Practical Exercises or Case Studies Included
 
@@ -71,14 +71,6 @@ The article includes descriptive accounts of the Leskernick installations, such
 
 ## Reviews
 
-No additional reviews are cited within the document.
-
-## Further Reading
-
-- Shanks, M. (1992). _Experiencing the Past: On the Character of Archaeology._ Routledge.
-- Goldsworthy, A. (1990). _Hand to Earth._ Henry Moore Centre for the Study of Sculpture.
-- Bender, B., Hamilton, S., & Tilley, C. (1997). _Leskernick: Stone Worlds; Alternative Narratives; Nested Landscapes._ Proceedings of the Prehistoric Society.
-
 <Tags
   tags={[
     'environmental art',