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<!DOCTYPE html>
<html lang="en">
<head>
<meta charset="UTF-8">
<meta http-equiv="X-UA-Compatible" content="IE=edge">
<meta name="viewport" content="width=device-width, initial-scale=1.0">
<title>Lu Wei Chen</title>
<style>
*{box-sizing: border-box;}
body {background-color: #e2d2c8;
margin: 0; padding: 0;
font-family: 'Courier New', Courier, monospace;}
div {padding: 2%;}
h1 {color: #0D461A;}
p {color: #4C5A4A; font-size: 0.8rem; letter-spacing: 2px;}
a {font-size: 1rem; text-decoration: none; }
a:hover {color: hotpink; text-decoration: underline;}
ul{ list-style-type: none; margin: 0;}
.row {display: flex;}
.left{flex: 15%;height: 100vh; }
.right{flex: 85%;height: 100vh; }
@media screen and (min-width: 600px) {
.left {width: 100vw; flex-wrap: wrap; height:auto;}
.right {width: 100vw; flex-wrap: wrap; height:auto;}
}
@media only screen and (min-width: 768px) {
}
</style>
</head>
<body>
<section class="row">
<div class="column left" >
<h4> LU WEI CHEN</h4>
<ul>
<li> <a href="/works.html"> WORKS</a> </li>
<li> <a href="/projects.html"> PROJECTS</a> </li>
</ul>
</div>
<div class="column right" >
<h1> EXPERIENCE</h1>
<p>
2021 MARS, firmware engineer <br>
2020 Gameboy Digital Music Workshop <br>
2020 CLAB LKL-Riceacademy, installation design <br>
2020 CLAB LAB KILL LAB -TECHONIA Work Station, installation design <br>
2019 Uncertain Treasure Hill Artist Village, installation design <br>
2018 Phubbing Assistive Device, installation design<br>
2018 Skyrcok, developer <br>
2017 Textile Industry, textile designer <br>
2016 The Square Photography Studio <br>
2015 Fujiwaradai Textile Workshop <br>
2015 33 Days of Artists Documentary, photograpger<br>
</p>
<h1> EXHIBITIONS </h1>
<p>
2016 42-2 Group exhibition @ Songshan Cultural and Creative Park, Taipei <br>
2020 Loved and Found Curator @ The Livable Studio, Taipei<br>
2021 Solo show @ FreeS Space <br>
</p>
<h1> COMMERCIAL COLLECTIONS </h1>
<p>
2020-2021 Botanical Forager <br>
2020 Daily Object <br>
</p>
<h1> PUBLICATIONS AND MEDIA </h1>
<p>《解放物質的極簡藝術家與他的詩--卡爾.安德烈》‧ 非池中 2018</p>
<p>《英國美術館如何回應性醜聞? 繼好萊塢 # Me Too 風雨後物化女性的反思》‧ 非池中 2018</p>
<h1> MEMBER OF THE FOLLOWING ORGANIZATIONS </h1>
<p> Openlab, Taipei.</p>
<h1> BIO </h1>
<p> 呂蔚宸,1992年生,台灣台北人。現職藝術家、軟韌體開發人員。<br>
深信任何語境之中都有一個通則,便是生命體與生命體間種種關係,綿密、矛盾分歧、曖昧不明的界線、不言而喻的潛規則、生命體的行為決策,始終為她思考的起始點。企圖藉由使體會矛盾進而軟化對立關係,為偏旁的個體尋找最折衷的解釋;相信模控學如相信自然。日常思考往返於形而下與形而上的對話,將個人切身體驗化為核心的哲思經驗,將思想的無地方性降落在顯而易見的實體行為或物理性之上,時而微觀時而宏觀。近期的創作主題環繞在知覺與現實。
<br>
<br>
創作媒材不侷限於形式,目前以電子裝置、雕塑、網路行為、平面抽象畫為主。
</p>
</div>
</section>
</body>
</html>