curation.md

curation.md

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 [**“Some Call Us Balkans”**]([https://bowb.org/art-pluriverse-ii](https://somecallusbalkans.org/scub-exhibition/)) (2023)  
 **Type**	Contemporary art exhibition  
-**Venue** Termokiss, Rilindja (Pristina, Kosovo)
-**Involvement**	Curatorial Committee member
+**Venue** Termokiss, Rilindja (Pristina, Kosovo)  
+**Involvement**	Curatorial Committee member  
 **Fund**	Creative Europe Programme  
-**Partners**	Biennale of Western Balkans, 
+**Partners**	Biennale of Western Balkans, ZK/U, ICSE&Co., SocioPatch – Platform for civic engagement through artistic and cultural practices, UNSA Geto, Tačka komunikacije, Termokiss, TULLA Cultural Center
 *Exhibition showcasing newly commissioned contemporary art in two industrial sites in Pristina, exploring alternative forms and ecologies of representing and living in the Balkans. The group exhibition hosts eight contemporary young artists whose artworks explore the Balkans, its myths and misconceptions, reclaiming the space beyond stereotypes, envisioning new ecologies, modes of inhabiting and coming together on a common ground. Τhe artistic practices cross different places, engage communities and express social claims under the vision of an open-traveling practice across the Balkans and the implementation of participatory art-based research.*
 
 [**“Iatrosophia: On Folk Medicine & Phytogeography - Art Pluriverse II: Community Science Series on Intangible & Natural Heritage in the Balkans”**](https://bowb.org/art-pluriverse-ii) (2021-2022)  
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 *Annual community science programme for the study and promotion of intangible & natural heritage in the Balkans, involving local communities of practice that are holders of traditional knowledge and safeguard intangible heritage practices, co-documenting them in open, educative and participatory ways based on open science principles. The project outcomes are the co-creation of open-access digital community archives through an educational course and the co-creation of participatory art-based research through artist-community synergies. This edition focused on textile heritage and weaving communities of the wider Balkan region.*
 
 [**“DATeCH 2019 – Digital Access to Textual Cultural Heritage”**](https://datech.digitisation.eu/previous-editions/datech2019) (2019)  
-**Type**	International Conference 
-**Venue** Royal Flemish Academy of Belgium for Science and the Arts (Brussels, Belgium)  
+**Type**	International Conference  
+**Venue** Royal Flemish Academy of Belgium for Science and the Arts (Brussels, Belgium)   
 **Involvement**	Assistant (3 member team)  
 **Partners**	IMPACT Centre of Competence in Digitisation, Dutch Language Institute (INT), DARIAH-BE, CLARIN  
 *Interdisciplinary conference bringing together researchers and practitioners seeking innovative approaches for the creation, transformation and exploitation of historical documents in digital form, taking place at the intersection of computer science, (digital) humanities, and cultural heritage studies.*
 
 [**“The future of tradition: Documenting cultural heritage and artistic creation – interdisciplinary approaches, contemporary media”**](https://bowb.org/icombowb-2019-en) (2019)  
-**Type** Conference
-**Venue**	Silversmithing Museum - Piraeus Bank Group Cultural Foundation (Ioannina, Greece)  
+**Type** Conference  
+**Venue**	Silversmithing Museum - Piraeus Bank Group Cultural Foundation (Ioannina, Greece)   
 **Involvement**	Organiser  
 **Fund**	Ministry of Culture and Sports (Greece)  
 **Partners**	Biennale of Western Balkans, ICOM-International Council of Museums, Balkans Beyond Borders, History of Art Laboratory - University of Ioannina  
 **Co-curator** Elli Leventaki  
 *Part of the official ICOM programme for the International Museum Day and its 2019 subject "Museums as cultural hubs: the future of tradition". A curated event with presentations, screenings and a workshop on the creative reuses of digital intangible cultural heritage, developed as a project on-the-go that explored cultural heritage in relation to technology, communities and new media.*
 
 [**“Intangible Meetings”**](https://bowb.org/?p=6054) (2018)  
-**Type** Conference
+**Type** Conference  
 **Venue** General Archives of Greece – Historical Archives/Museum of Epirus (Ioannina, Greece)  
 **Involvement**	Organiser  
 **Fund**	Ministry of Culture and Sports (Greece), Region of Epirus, Municipality of Ioannina  
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 *The conference included presentations and on-stage dialogues that surveyed, analysed and debated aspects of Intangible Cultural Heritage (ICH), offering multi-vocal and interdisciplinary perspectives. The programme explored the emerging landscape of ICH in research and applied knowledge, with a focus on the European and Balkan region.*
 
 [**“Common Myths”**](https://bowb.org/?p=5990) (2018)  
-**Type**	Multimedia exhibition
+**Type**	Multimedia exhibition  
 **Venue**	General Archives of Greece – Historical Archives/Museum of Epirus (Ioannina, Greece)  
 **Involvement** Curator  
 **Fund**	Ministry of Culture and Sports (Greece), Region of Epirus, Municipality of Ioannina  
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 *The exhibition resented contemporary art and research that places myth at the core of an interdisciplinary exploration. The exhibition examines concepts as the re-interpretation, re-creation and re-enactment of cultural legacies, intangible forms of representation, transient collective memory, community-based art, epistemologies of mythical thought and contemporary rituals. Art included augmented reality, video art, hologram and mapping projections, connected with community workshops and traditional craftsmanship.*  
 
 [**“GIF: Morphologies of a copyleft tale”**](https://www.cact.gr/en/news/movingsilence) (2017)  
-**Type** Digital media exhibition
-**Venue** Thessaloniki Center of Contemporary Art (Thessaloniki, Greece)  
+**Type** Digital media exhibition  
+**Venue** Thessaloniki Center of Contemporary Art (Thessaloniki, Greece)   
 **Involvement**	Curator  
 **Fund**	Goethe-Institut Thessaloniki  
 **Partners**	Moving Silence Network, HMKW University of Applied Sciences (Germany)  
 **Coordination** Eirini Papakonstantinou, Art director: Matthias Fritsch  
 *The exhibition concept is based on Vladimir Propp's book 'Morphology of the folktale', where Propp introduces patterns that come along a story formation. GIFs reflect the anonymous, collective narratives from a contemporary visual perspective. The exhibition explores the transformativity and underlying patterns of the GIF-medium in semantic ways, where a micro-fiction is expressed in manifold ways, relating to an initial pattern or element. The exhibition focuses on visual, textual and software patterns that propagate through multiple derivative GIFs, forming a digital folklore of collective web-user engagement.*
 
 [**“Micro-cinema of Attractions – GIF art imageries and creative techniques”**](https://artosfoundation.org/?project=con-temporary-urbanity) (2016)  
-**Type** Digital media exhibition and open air projection exhibition
+**Type** Digital media exhibition and open air projection exhibition  
 **Venue**	ARTos Foundation (Nicosia, Cyprus)  
 **Involvement**	Curator  
 **Fund**	Goethe-Institut Cyprus, Ministry of Education and Culture - Republic of Cyprus, Creative Europe  
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 *The exhibition draw an analogy between Tom Gunning's concept 'cinema of attractions' on the early phase of silent cinema (1907-1913) and GIF art. The exhibition explored the aesthetic micro-worlds of GIFs, highlighting their unique visual techniques. It was realized as a media exhibition in the space of ARTos Foundation, framed by an urban tour with pop-up GIF projections, whole night GIF projection ‘stations‘ within the city and an analogue GIF workshop.*
 
 [**“Jiggling Golems – The art of GIF”**](http://technoviking.tv/movingsilence.net/archiv/2015-athen/jiggling_golems-exhibition.html) (2015)  
-**Type**	Digital media exhibition
+**Type**	Digital media exhibition  
 **Venue**	Goethe-Institut Athen (Athens, Greece)  
 **Involvement**	Curator  
 **Fund**	Goethe-Institut Athen  
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 [**“Future Past – Past Future”**](https://transmediale.de/content/partner-exhibition-future-past-past-future) (2014)  
 **Type**	New media exhibition  
-**Venue**	SUPERMARKT Cultural Center (Berlin, Germany)
+**Venue**	SUPERMARKT Cultural Center (Berlin, Germany)  
 **Involvement**	Curatororial assistant  
 **Fund**	Goethe-Institut  
 **Partners**	Goethe Institutes of Ankara, Sofia and Athens, Transmediale  
 **Curator** Sandra Naumann, Festival Manager: Markus Huber  
 *The exhibition questioned the power of old and new media, asking about the possible alternative future scenarios, but also about the relationship between the past, present and future in the Balkans. How do the respective historical identities and individual stories of their own history, shape the ideas of a possible tomorrow?*
 
 [**“Lullaby Monsters on the Road”**](http://theartfoundation.metamatic.gr/GR/Event/919/Lullaby_Monsters_on_the_Road/) (2013-2014)  
-**Type**	Audiovisual exhibition 
+**Type**	Audiovisual exhibition  
 **Venue**	The Art Foundation (Athens, Greece)  
 **Involvement**	Curator  
 **Fund**	The Art Foundation (T.A.F.), Greece