Add further literature resources

data/resources/illustrations/AdkinsEtAl-1989.mdx

@@ -44,8 +44,7 @@ The book is aimed at both professional archaeologists and students in the field
 
 ## Reviews
 
-- _"A must-have resource for archaeologists and illustrators alike, offering detailed insights into the art and science of archaeological illustration."_ — Antiquity Journal
-  [Read more reviews on Goodreads](https://www.goodreads.com/book/show/56789)
+"A must-have resource for archaeologists and illustrators alike, offering detailed insights into the art and science of archaeological illustration." — Antiquity Journal
 
 ## Further Reading
 

data/resources/illustrations/Allen-1994.mdx

@@ -0,0 +1,84 @@
+---
+title: 'The Illustration of Wooden Artefacts'
+authors:
+  - lastName: 'Wood'
+    firstName: 'Alan J.'
+year: '2009'
+publisher: 'Graphic Archaeology Group (CIfA)'
+externalLink: 'http://www.gag-cifa.org/wp-content/uploads/2014/12/11-wood.pdf'
+reviewsLink: ''
+type: 'Technical Guide'
+category: 'Archaeological Illustration'
+tags:
+  [
+    'Wooden Artefacts',
+    'Archaeology',
+    'Technical Drawing',
+    'Artefact Representation',
+    'Educational Resource',
+  ]
+isbn: ''
+doi: ''
+coverImage: '/static/img/resources/Allen-1994.jpg'
+---
+
+## Abstract
+
+This guide provides a specialised approach to illustrating wooden artefacts within archaeological contexts, addressing unique considerations such as wood grain, structure, and preservation state. Alan J. Wood covers essential techniques for accurately documenting artefact morphology, while maintaining the conventions that aid in the clear depiction and analysis of wooden artefacts in publications. Intended for archaeological illustrators, the guide standardises drawing practices and integrates options for using traditional and digital methods.
+
+## Purpose and Audience
+
+The guide serves illustrators, archaeologists, and students working with wooden artefacts, particularly those responsible for producing accurate, publishable illustrations. It’s aimed at both professionals and beginners in archaeological illustration, focusing on techniques specific to wood to facilitate comparability in artefact documentation.
+
+## Table of Contents
+
+1. Introduction
+2. Tools and Materials
+3. Wood Characteristics and Representation
+4. Techniques for Drawing Wood Grain
+5. Complex Forms and Fragmented Artefacts
+6. Preparing Drawings for Publication
+
+## Key Excerpt
+
+“The primary goal in illustrating wooden artefacts is to capture the form, structure, and grain accurately, allowing for a clearer understanding of construction methods and usage.” (p. 2)
+
+## Difficulty Level
+
+Intermediate. While introductory in style, the focus on wood-specific techniques makes it suitable for those with a foundational understanding of archaeological illustration.
+
+## Practicality/ Field Relevance
+
+The guide is highly relevant for archaeological documentation, specifically tailored to artefacts made from wood, a material with unique preservation challenges. It provides guidance on the nuances of capturing wood grain and artefact wear, essential for accurate publication-ready illustrations.
+
+## Benefits of the Resource
+
+Its dedicated focus on wooden artefacts fills a niche in archaeological illustration, providing methods that are often not covered in general artefact illustration guides. The technical advice on showing grain and structure is particularly useful for professional standardisation.
+
+## Limitations of the Resource
+
+The guide is specific to wooden artefacts, so its applicability is limited to wood rather than artefacts of other materials. Additionally, it focuses primarily on manual illustration techniques, with minimal emphasis on advanced digital tools.
+
+## Practical Exercises or Case Studies Included
+
+The guide includes practical instructions for illustrating wood grain and complex forms, though formal exercises are not provided. Its detailed approach makes it useful for hands-on learning.
+
+## Reviews
+
+_The Illustration of Wooden Artefacts_ is a respected resource within archaeological illustration, valued for its specialised focus on wood-specific techniques.
+
+## Further Reading
+
+- Griffiths, N., Jenner, A., & Wilson, C. (1991). _Drawing Archaeological Finds: A Handbook_.
+- Martingell, H., & Saville, A. (1988). _The Illustration of Lithic Artefacts_.
+- Steiner, M. (2005). _Approaches to Archaeological Illustration_.
+
+<Tags
+  tags={[
+    'Wooden Artefacts',
+    'Archaeology',
+    'Technical Drawing',
+    'Artefact Representation',
+    'Educational Resource',
+  ]}
+/>

data/resources/illustrations/BoersmaEtAl-2022.mdx

@@ -0,0 +1,87 @@
+---
+title: 'A Guide to Archaeological Draughtsmanship'
+authors:
+  - lastName: 'Boersma'
+    firstName: 'S.E.'
+  - lastName: 'Los-Weijns'
+    firstName: 'M.A.'
+year: '2022'
+publisher: 'Barkhuis Publishing'
+externalLink: 'https://pure.rug.nl/ws/portalfiles/portal/203834029/A_Guide_to_Archaeological_Draughtsmanship_1_.pdf'
+reviewsLink: ''
+type: 'Educational Guide'
+category: 'Archaeological Illustration'
+tags:
+  [
+    'Archaeological Draughtsmanship',
+    'Artefact Illustration',
+    'Standardisation',
+    'Illustration Techniques',
+    'Educational Resource',
+  ]
+isbn: '9789493194205'
+doi: ''
+coverImage: '/static/img/resources/BoersmaEtAl-2022.jpg'
+---
+
+## Abstract
+
+This comprehensive guide by Boersma and Los-Weijns focuses on the standardisation of archaeological illustration techniques. Covering a range of artefacts, it details methods for creating accurate drawings of complete vessels, potsherds, and other artefacts, including techniques for measuring, drawing, marking, and digitally scanning or photographing objects. The authors aim to improve the quality and consistency of archaeological illustrations for publication, underscoring the importance of clear visual documentation in archaeology.
+
+## Purpose and Audience
+
+The guide is intended for professional archaeological illustrators, students, and field archaeologists involved in documentation and publication. It serves both as an instructional manual for those new to draughtsmanship and a reference for experienced illustrators seeking to standardise their work according to professional conventions.
+
+## Table of Contents
+
+1. Introduction
+2. Tools and Equipment
+3. Drawing Complete Vessels
+4. Drawing Potsherds
+5. Drawing Other Artefacts
+6. Marking and Scanning
+7. Photographing Artefacts
+
+## Key Excerpt
+
+"Drawing will allow (partial) reconstruction of an object. Unlike photography, drawing allows sections of objects to be shown… The drawings in pencil are scanned and (digitally or manually) traced in ink to make them suitable for publication." (p. 1)
+
+## Difficulty Level
+
+Intermediate. While the guide includes foundational explanations and step-by-step instructions, it also delves into technical specifics that are especially valuable for practitioners already familiar with basic archaeological methods.
+
+## Practicality/ Field Relevance
+
+This guide is highly practical, especially for those in academic and commercial archaeology who must produce consistent, publishable illustrations. By promoting standardised techniques and covering both traditional and digital approaches, the guide addresses current professional needs within archaeological illustration.
+
+## Benefits of the Resource
+
+The resource provides a structured and detailed approach to archaeological draughtsmanship, ensuring that each type of artefact receives focused instruction. Its guidance on digital tools and scanning processes adds versatility, allowing illustrators to adapt their work to contemporary publishing standards. The inclusion of marking and photography techniques further enhances the guide’s applicability in creating comprehensive visual records.
+
+## Limitations of the Resource
+
+The guide is specific to object illustration and does not explore broader landscape or site plans. Some readers may also find the digital sections limited, as it covers basic scanning and Photoshop adjustments rather than more advanced digital illustration techniques.
+
+## Practical Exercises or Case Studies Included
+
+Each section includes practical guidelines and illustrative steps for drawing and measuring artefacts. Although not formal exercises, these guidelines serve as structured exercises, enabling readers to apply the techniques to actual archaeological objects.
+
+## Reviews
+
+This guide is well-regarded within academic and professional archaeology circles for its detailed approach and emphasis on standardisation, though no formal reviews are included in the document itself.
+
+## Further Reading
+
+- Adkins, L., & Adkins, R.A. (1989). _Archaeological Illustration_. Cambridge University Press.
+- Steiner, M. (2005). _Approaches to Archaeological Illustration: A Handbook_. Council for British Archaeology.
+- Griffiths, N., Jenner, A., & Wilson, C. (1991). _Drawing Archaeological Finds: A Handbook_. UCL.
+
+<Tags
+  tags={[
+    'Archaeological Draughtsmanship',
+    'Artefact Illustration',
+    'Standardisation',
+    'Illustration Techniques',
+    'Educational Resource',
+  ]}
+/>

data/resources/illustrations/Collett-2017.mdx

@@ -0,0 +1,93 @@
+---
+title: 'Introduction to Drawing Archaeological Pottery'
+authors:
+  - lastName: 'Collett'
+    firstName: 'Lesley'
+year: '2017'
+publisher: 'Chartered Institute for Archaeologists (CIfA)'
+externalLink: 'https://www.archaeologists.net/sites/default/files/CIfA-A5%20pottery%20paper_final_web.pdf'
+reviewsLink: ''
+type: 'Professional Practice Paper'
+category: 'Archaeological Illustration'
+tags:
+  [
+    'Pottery Illustration',
+    'Archaeology',
+    'Technical Drawing',
+    'Artefact Representation',
+    'Educational Resource',
+  ]
+isbn: '978-0-948393-25-9'
+doi: ''
+coverImage: '/static/img/resources/Collett-2017.jpg'
+---
+
+## Abstract
+
+This introductory guide by Lesley Collett offers a comprehensive overview of techniques for illustrating pottery in archaeological contexts, focusing on line drawings that accurately depict form, construction, and decoration. Published by the Chartered Institute for Archaeologists, this professional practice paper integrates traditional and digital methods, highlighting best practices for creating illustrations suitable for publication. The guide covers the complete illustration process, from tools and measuring techniques to finalising drawings digitally or manually, providing a versatile resource for archaeologists and illustrators.
+
+## Purpose and Audience
+
+The guide is intended for archaeologists, illustrators, and students engaged in pottery documentation and publication. As a professional practice paper, it is also relevant to those looking to meet CIfA standards for archaeological illustrations, emphasising clear, accurate drawings that facilitate comparative research and data sharing.
+
+## Table of Contents
+
+1. Introduction
+2. Drawing Pottery
+3. Tools and Equipment
+4. Method
+   - Rim Attitude
+   - Rim Diameter
+   - Profile and Reconstruction
+   - Finishing
+5. Preparing Pottery Drawings for Publication
+6. Special Cases
+   - Fabric and Texture
+   - Handles, Spouts, Lugs
+   - Complex Forms
+   - Plan Views and Decoration
+7. Bibliography
+
+## Key Excerpt
+
+“The main reasons why pottery is depicted using line illustration are still valid... A drawing can supply far more information in a much more immediate manner than a written description.” (p. 3)
+
+## Difficulty Level
+
+Beginner to Intermediate. The guide covers foundational techniques and terminology, making it accessible to newcomers, but also includes technical details valuable to experienced illustrators.
+
+## Practicality/ Field Relevance
+
+This guide is highly relevant for field archaeologists and illustrators, covering core methods of pottery illustration while addressing the integration of traditional and digital techniques. It is a practical tool for those aiming to standardise their illustration processes in line with CIfA guidelines.
+
+## Benefits of the Resource
+
+The guide’s step-by-step explanations and emphasis on accuracy and standardisation make it a valuable reference. Its detailed focus on technical processes, from initial measurements to digital finalisation, allows readers to create publication-ready illustrations that enhance archaeological reports.
+
+## Limitations of the Resource
+
+While thorough for pottery illustration, the guide does not address broader illustration contexts, such as site maps or other artefact types. Additionally, the digital methods introduced are foundational and do not explore more advanced digital drawing software.
+
+## Practical Exercises or Case Studies Included
+
+Each section includes practical steps for illustrating pottery, but there are no formal exercises or case studies. Instructions on measuring and drawing are highly detailed, effectively guiding readers through the illustration process.
+
+## Reviews
+
+The guide is widely regarded within the archaeological community, particularly in the UK, for its adherence to CIfA standards and its structured approach to pottery illustration.
+
+## Further Reading
+
+- Adkins, L., & Adkins, R.A. (1989). _Archaeological Illustration_. Cambridge University Press.
+- Griffiths, N., Jenner, A., & Wilson, C. (1991). _Drawing Archaeological Finds: A Handbook_. UCL.
+- Steiner, M. (2005). _Approaches to Archaeological Illustration: A Handbook_. Council for British Archaeology.
+
+<Tags
+  tags={[
+    'Pottery Illustration',
+    'Archaeology',
+    'Technical Drawing',
+    'Artefact Representation',
+    'Educational Resource',
+  ]}
+/>

data/resources/illustrations/DryerEtAl-2009.mdx

@@ -0,0 +1,91 @@
+---
+title: 'Illustrating Artifacts Using Digital Rendering Techniques'
+authors:
+  - lastName: 'Dryer'
+    firstName: 'Marc'
+  - lastName: 'Mazierski'
+    firstName: 'David'
+year: '2009'
+publisher: 'Journal of Biocommunication'
+externalLink: 'http://www.jbiocommunication.org/issues/35-2/assets/feature1/Dryer_JBCv35n2.pdf'
+reviewsLink: ''
+type: 'Journal Article'
+category: 'Archaeological Illustration'
+tags:
+  [
+    'digital illustration',
+    'archaeology',
+    'artifact rendering',
+    'lithic tools',
+    'scientific techniques',
+  ]
+isbn: ''
+doi: ''
+coverImage: '/static/img/resources/DryerEtAl-2009.jpg'
+---
+
+## Abstract
+
+This paper by Marc Dryer and David Mazierski presents a digital method for illustrating archaeological artifacts, specifically flaked lithic tools. This method combines traditional and digital rendering techniques, utilising a vector-based graphics program to trace photographs of artifacts, thereby achieving detailed line drawings of silhouettes, flake scars, and other textural details. The authors argue that this digital technique can yield scalable, accurate illustrations that meet the rigorous standards of archaeological documentation.
+
+## Purpose and Audience
+
+The article targets professional illustrators, archaeologists, and students, providing a resource for accurately representing stone artifacts in scientific publications. The approach offers a hybrid solution that respects traditional conventions while leveraging digital tools to streamline and refine the illustration process.
+
+## Table of Contents
+
+1. Introduction to Lithic Artifact Illustration
+2. Rendering Stages
+   - Silhouette Profile
+   - Internal Features
+   - Texture Details
+3. Digital Vector Rendering
+4. Techniques for Digital Tracing
+5. Concluding Remarks on Digital Approaches
+
+## Key Excerpt
+
+"The conventions observed in lithic artifact illustration include the use of common figurative elements, such as a scale bar and symbols indicating key features... This approach allows professional illustrators, researchers, and students of archaeology to create competent scientific illustrations in conformity with the conventions for this specialised discipline." (p. E35)
+
+## Difficulty Level
+
+Intermediate to Advanced – The article assumes familiarity with both lithic artefacts and vector-based digital illustration software.
+
+## Practicality/ Field Relevance
+
+The paper is highly relevant for fields involving artefact illustration and archaeological documentation. Its practical guidance on digital techniques offers advantages for professionals needing precision and scalability in their work.
+
+## Benefits of the Resource
+
+- **Accuracy and Scalability**: Digital vector rendering is described as offering precision in capturing flake scars and silhouette profiles.
+- **Enhanced Legibility**: The standardised conventions enable comparison across illustrations, aiding in the analytical process.
+- **Methodological Versatility**: Dryer and Mazierski’s digital approach is adaptable and allows integration with traditional pen-and-ink techniques if desired.
+
+## Limitations of the Resource
+
+- **Technical Skill Requirement**: Familiarity with digital vector programs and techniques is necessary, which could be a barrier for individuals with traditional illustration training.
+- **Software Dependence**: The approach relies on access to professional digital graphics software, which may not be universally available.
+
+## Practical Exercises or Case Studies Included
+
+The article includes practical instructions on creating digital renderings of artefacts, such as tracing silhouette profiles and adding flake scar textures. However, it does not provide full case studies or exercises but rather detailed procedural guidelines.
+
+## Reviews
+
+There are currently no additional reviews directly linked to this article.
+
+## Further Reading
+
+- Addington, L.R. (1986). _Lithic Illustration: Drawing Flaked Stone Artifacts for Publication._ University of Chicago Press.
+- Griffiths, N. (1990). _Drawing Archaeological Finds: A Handbook._ Archetype Publications.
+- Martingell, H., & Saville, A. (1988). _The Illustration of Lithic Artefacts: A Guide to Drawing Stone Tools for Specialist Reports._ Lithics Studies Society.
+
+<Tags
+  tags={[
+    'digital illustration',
+    'archaeology',
+    'artifact rendering',
+    'lithic tools',
+    'scientific techniques',
+  ]}
+/>